Sure to soothe anyone who’s ever fretted about what’s out there in the dark.
In this follow-up to Wolfboy (2021), an innovative art technique jazzes up a familiar narrative.
After a long night of playing, Wolfboy and his rabbit friends head home. They hope to arrive before moonset, so Wolfboy advises that they use a shortcut “through the lair of the GRUMBLE MONSTER.” As the title suggests, Wolfboy is the one scared by this plan, not the rabbits. Harkness uses perspective to make Wolfboy and the rabbits seem very small as they enter the forest. Wolfboy thinks he sees the monster lurking behind trees, but the rabbits reassure him otherwise (those “claws” are just branches, and that “tail” is just a bramble vine). Readers, however, will notice parts of the monster’s large body in the foregrounds of the illustrations, unseen by the characters. The pacing recalls Julia Danielson and Axel Scheffler’s The Gruffalo, as the monster is revealed bit by bit, and when Wolfboy and the rabbits finally meet him, he’s not so scary after all. This twist brings to mind stories like Rachel Bright’s Love Monster (2012) or even Andrew Clement and Yoshi’s Big Al (1991), but the distinctive artwork sets Harkness’ picture book apart. The Claymation-like illustrations, which Harkness explains in a note he created using a virtual-reality headset, sculpting each page “in much the same way I would sculpt with real clay,” have a 3-D effect, like stills from stop-motion animation. (This book was reviewed digitally.)
Sure to soothe anyone who’s ever fretted about what’s out there in the dark. (Picture book. 3-6)Pub Date: July 11, 2023
ISBN: 978-1-5476-0445-6
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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