A captivating collection that combines a prickly social conscience with deep feeling.
Religious fanaticism, dark nights of the soul, vacuous business philosophy, and childhood reveries are limned in these sometimes luminous, sometimes cantankerous poems.
Gedaliah explores the “secondary worlds” that we build to substitute the real one, whether through memory, technology, ideology, or insanity. Many spotlight scenes in his native San Francisco, where “mad street poets of Haight-Ashbury” voice “laments and howling / at others not there…The rawness of / failed lives whose / unreality more real / than we could bare.” In a suite of vehement political poems, the author imagines a Christian fundamentalist for whom “Life is nothing but reward / for those of faith, / and punishment / for those who dare stray,” and decries resurgent antisemitism since “The slaughter of October 7th / became the tinnitus of dread.” He also serves up raucous riffs on managers who “babble the lexicon / of pseudoscientific drivel, / that only an obtuse / HR department could / gleefully design” and the indignities of modern culture: “No rant should end / without a shout-out to those, / who compulsively post / every restaurant meal. / It’s just food you F***’s!” Gedaliah is a compelling poet of the psyche, probing the fragmented nature of consciousness and its riot of conflicting impulses and evasions. His limpid verse conveys a world of emotion and character through plainspoken, evocative, subtly composed details, as in the portrait of familial estrangement in “Sketch of My Father”: “After dinner he sits outside / in the dark. / Away from the family bustle. / Huddled over his dessert, / he eats alone / in silence.” The richest of Gedaliah’s secondary worlds, as in the haunting “Awake at 4 AM,” emerge in memories and dreams that imbue a lost reality with enigmatic meaning: “Once my beloved / grandmother’s ghost / visited me. / Her sad face framed in / evening light. / Her hazel eyes. / The softness of regret / in the words / she kept repeating: / I’m so sorry! / I’m so sorry!/ And over the years, / I still can’t fathom why.”
A captivating collection that combines a prickly social conscience with deep feeling.Pub Date: Oct. 31, 2024
ISBN: 9798350964899
Page Count: 112
Publisher: BookBaby
Review Posted Online: Dec. 2, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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