by Aaron James ‧ RELEASE DATE: Dec. 4, 2012
While there are moments of great insight and outright hilarity, the book feels more like a sharp magazine article or clever...
Great title, clever concept, average execution.
If you know anything about James, you wouldn't expect him to concoct a book with such a profane, in-your-face title. He has a doctorate from Harvard and teaches philosophy at the University of California, Irvine, and his first book had the desert-dry title of Fairness in Practice: A Social Contract for a Global Economy. And yet here he is, delivering a treatise about assholes throughout time, everybody from Machiavelli to Dick Cheney. Granted, the book is not just a quick-hit reference on everything asshole-related, but rather a more philosophical, existential approach to the subject. James tells us about the different types of assholes, a “taxonomy of the different species of asshole,” if you will, and he offers suggestions of professions that attract assholes (two good examples: conservative cable-news pundit and investment banker). James' writing style leans toward the academic (unsurprising, considering his background) and doesn't always feel like a logical match with his thesis. Readers picking up the book and anticipating a lot of snarky finger-pointing will be alternately pleased and frustrated. But James’ research is both thorough and imaginative; his impressive source list ranges from obscure philosophy books to popular websites to Rudyard Kipling to Kanye West, hip-hop’s greatest asshole. The author’s enthusiasm for the subject makes it possible to get through the book quickly, but it may lack staying power.
While there are moments of great insight and outright hilarity, the book feels more like a sharp magazine article or clever website than a full-length book.Pub Date: Dec. 4, 2012
ISBN: 978-0-385-53565-6
Page Count: 240
Publisher: Doubleday
Review Posted Online: Nov. 23, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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