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OUTWITTING HISTORY

HOW ONE MAN RESCUED A MILLION BOOKS AND SAVED A CIVILIZATION

A rollicking ride in company with a man who has performed an enormously important public service.

Engaging first-person account of how some committed young people rescued from history’s dustbin more than a million books published in Yiddish.

In prose that sometimes lurches and jolts along like the overloaded rental trucks that the author and his merry band used to collect books, Lansky unfolds a tale of rare emotion and devotion. He was only 23, in 1980, when he made the decision to dedicate himself to the cause of saving books in Yiddish. He had begun studying the language while at Hampshire College and was shocked to discover that many libraries were discarding Yiddish works by the thousands because so few circulated. His account of his rescue efforts takes the form of an adventure story, related with a breathless and appealing Andy Hardy earnestness. The author and his companions pluck books from Dumpsters in the rain, from closing libraries, from damp garages and basements, from dour doubters, from aging Jews who surrender them like favorite children—with flowing tears, many tales, and much food. They make harrowing missions to Russia and Cuba. But it all pays off: Lanksy now oversees a huge enterprise comprising a state-of-the-art facility, the National Yiddish Book Center, and a membership of some 35,000 supporters. He is digitizing the volumes, virtually all of which were printed on paper whose acid content assures disintegration. The purpose of the Book Center is not to hoard but to distribute the volumes. It maintains a core collection but considers putting books into the hands of readers among its chief purposes, in addition to making sure key titles are in libraries where scholars can consult them. Lansky also chronicles the history of Yiddish, his fundraising efforts (considerably accelerated by a 1989 MacArthur genius grant), and his countless public appearances (including a funny episode at a Catskills resort).

A rollicking ride in company with a man who has performed an enormously important public service.

Pub Date: Oct. 1, 2004

ISBN: 1-56512-429-4

Page Count: 328

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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