One of those tiresome books about traveling to a distant land to find a self never known—or in this case sidetracked by writer's block and unexpiated grief—now from journalist/novelist Latham (Crazy Sundays, 1971; Orchids for Mother, 1977). Depressed, unable to write, and haunted by the long-ago death of his only sister, whose name he is unable to speak, Latham accompanies his wife (CBS Washington correspondent Leslie Stahl), his young daughter, his brother-in-law, and his nephew on a safari to Kenya and to Diane Fossey's gorillas. There are the usual rigors and delights of life under canvas on upscale safaris. All the expected animals are sighted by the end, and colorful postcolonials like Anna Merz, whose pet rhino follows her around like any small dog, are encountered. The visit to the gorillas is arduous if rewarding, though Latham feels suffocated by the dense undergrowth, and not as free and hopeful as he does on the dry and sparsely treed plains of Kenya, which so remind him of his native Texas. Surprised by his ability to identify with the animals he sees, and letting go of the self in the process, his depression begins to lift, and he is finally able to talk about his sister. These moments of epiphany are not serendipitous, Latham concludes, but, rather, realistic responses to a region where humanity originated; when Richard Leakey suggests that they might be prompted by ``genetic memory,'' Latham agrees: ``We see the place where we came from, and we recognize it. We feel at home in East Africa...there is still no place like home no matter how long we have been away from it.'' Latham's grief and depression, for all their vivid (sometimes mawkish) reality, don't really add all that much to an otherwise thin, conventional, and frequently naive book. For hard-core safari-junkies only.
Pub Date: Sept. 12, 1991
ISBN: 0-13-946021-7
Page Count: 256
Publisher: Prentice Hall
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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