An unconvincing, skin-deep psychological thriller.
Four high school seniors take matters into their own hands when one of their friends becomes dangerously unhinged.
It starts with bad-boy Cole’s murder and secret burial in a grave that will soon be covered by Vermont’s winter snow. This is the final step in Logan, Meeka, Holly, and Grayson’s solution to Cole’s increasingly violent threats toward his ex-girlfriend, Meeka. The friends believe that killing Cole was the only way to stay safe, to prevent something terrible from happening to them or others. And to ensure none of them would betray the rest, they record a video confession on old phones they were no longer using which they bury with Cole. But a few days later their faces are all over social media, plastered on a new meme based on a screenshot from their video confession. But how was the picture leaked if their phones are as dead and buried as Cole? Did one of them betray the group, or is Cole somehow still alive? Self-serving, unsympathetic characters struggle with suspicion, paranoia, and guilt throughout this taut psychological thriller about the dangers of the internet and the alt-right movement, but the attempt to engage with a promising thematic core is as superficial as the overall character development. All characters are assumed White apart from Meeka, who is adopted and ambiguously cued as a person of color.
An unconvincing, skin-deep psychological thriller. (Thriller. 14-18)Pub Date: Sept. 8, 2020
ISBN: 978-0-7352-3192-4
Page Count: 368
Publisher: Dutton
Review Posted Online: June 19, 2020
Kirkus Reviews Issue: July 15, 2020
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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