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A WELL-MADE BED

A weighty tale that keeps the reader intrigued and entranced despite an uneven ending.

Two women, both touched by tragedy, find themselves bonding over cocaine, betrayal, loneliness, and cheese.

Noor Kahn, never quite recovered from the accident that took her best friend as a child, is stranded in the country with her failing equestrian therapy business and a husband she’s increasingly unsure about. Jaycee, a neighbor raised in a historical theme park and naïve about the world outside, finds herself in possession of an interesting package when she returns from her first act of rebellion, a spontaneous trip to Peru. After the two women become connected through Jaycee’s father, Mr. Emory, a once-famous children’s book author struggling with dementia, a strange fellowship is born, built upon the shared discovery of cocaine and the power it could bring them. As the women decide what to do with their dangerous windfall, numerous potential obstacles spring up along the way—from Gerry, a man in Noor’s past who becomes part of Jaycee’s future, to Mr. Emory’s past dealings with copyright infringement and the indiscretions he's kept quiet all these years, issues once thought resolved and secrets supposed to stay buried. In this uncertain climate, the women will have to figure out how far they’re willing to go to get what they want. The novel deftly navigates between narrators, keeping its momentum even when jumping back and forth in time as the women—and the reader—discover a dark secret that’s been hidden away for 15 years. The storyline hurtles forward at a steady pace, keeping the reader engaged and managing to answer questions while creating new ones. The only disappointing element is how abruptly the novel ends, building up to a climax that ultimately resolves itself in mere moments. The journey to get there, however, is what makes Alberts and Frucht’s novel an absorbing read.

A weighty tale that keeps the reader intrigued and entranced despite an uneven ending.

Pub Date: March 1, 2016

ISBN: 978-1-59709-305-7

Page Count: 320

Publisher: Red Hen Press

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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