Unsettling in the best way.

THE CROSSROADS AT MIDNIGHT

Routine life intersects with the unnatural in five horror tales told through black-and-white comics.

In the opening story, Frankie talks to someone on the other side of the fence; only an eyeball can be seen through a small hole. Frankie is sick of interfering, judgmental parents and seeks connection with someone who understands. This yearning for companionship and comfort is echoed throughout the collection, each time ultimately leading to interactions with unknown beings. A stressed-out student seeks comfort from a mattress found abandoned on the street, which turns out to host a grotesque, flesh-stealing creature. Walking corpses become an old woman’s new companions. A young girl wants to be reunited with her friend the lake monster, who is not so friendly anymore. While each story features some sort of creature or monster, the way they play into the horror differs. Thrilling action, disturbing body horror, unnerving suspense, and deep melancholy can all be found within these tales. The art, consisting of realistic-looking crosshatching lines on white panels, is stunning, with various shapes and shading used intentionally to amp up the drama. The intensity of the stories warrants quick page turns, but all the little details of the art beg to be thoughtfully pored over. Most characters appear White; main characters in one of the stories are cued as Black.

Unsettling in the best way. (concept art) (Graphic horror. 13-adult)

Pub Date: Feb. 23, 2021

ISBN: 978-1-945820-68-7

Page Count: 320

Publisher: Iron Circus Comics

Review Posted Online: July 27, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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An epic series opener of old-school high fantasy catering to modern audiences.

REALM BREAKER

When the realm is in danger, only a small band of misfits can save Allward.

An in medias res prologue, told from the point of view of the lone squire accompanying the 12 Companions of the Realm, tosses readers into the thick of a quest. Half the Companions are human heroes and half are immortal Elders; they seek to stop a rogue thief and his wizard accomplice from using a magical Spindle to tear a passage between worlds for nefarious ends. A disastrous battle sends squire Andry fleeing with Cortael’s sword so villain Taristan can’t get his hands on it. Grieving Elder Dom requires both a person of Corblood (a descendant of human travelers from another realm) and the Spindleblade Andry protects to stop Taristan from bringing ruin to the realm. Dom seeks Cortael’s secret daughter, Corayne, a bright but sheltered teenager with a pirate mother. At times the narrative tension is undermined by flashbacks that readers already know the conclusions to and by occasional repetition caused by the multiple point-of-view jumps, but there’s a wide variety of action scenes, daring escapes, and betrayals. Many tropes and character types are familiar, but exquisite descriptions and clashing motivations result in a nuanced, sprawling realm with a sense of complicated history. This world is highly diverse in terms of both skin tone and in the refreshing range of roles female characters inhabit.

An epic series opener of old-school high fantasy catering to modern audiences. (map) (Fantasy. 12-18)

Pub Date: May 4, 2021

ISBN: 978-0-06-287262-3

Page Count: 576

Publisher: HarperTeen

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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A love letter to fans who will forgive (and even revel in) its excesses and indulgences.

MIDNIGHT SUN

From the Twilight series , Vol. 5

A long-awaited Twilight (2005) companion novel told from vampire Edward’s point of view.

Edward Cullen, a 104-year-old vampire (and eternal 17-year-old), finds his world turned upside down when new girl Bella Swan’s addictive scent drives a primal hunger, launching the classic story of vampire-meets-girl, vampire-wants-to-eat-girl, vampire-falls-in-love-with-girl. Edward’s broody inner monologue allows readers to follow every beat of his falling in love. The glacial pace and already familiar plot points mean that instead of surprise twists, characterization reigns. Meyer doesn’t shy away from making Edward far less sympathetic than Bella’s view of him (and his mind reading confirms that Bella’s view of him isn’t universal). Bella benefits from being seen without the curtain of self-deprecation from the original book, as Edward analyzes her every action for clues to her personality. The deeper, richer characterization of the leads comes at the expense of the secondary cast, who (with a few exceptions) alternate primarily along gender lines, between dimwitted buffoons and jealous mean girls. Once the vampiric threat from James’ storyline kicks off, vampire maneuvering and strategizing show off the interplay of the Cullens’ powers in a fresh way. After the action of the climax starts in earnest, though, it leans more into summary and monologue to get to the well-known ending. Aside from the Quileutes and the occasional background character, the cast defaults to White.

A love letter to fans who will forgive (and even revel in) its excesses and indulgences. (Paranormal romance. 12-adult)

Pub Date: Aug. 4, 2020

ISBN: 978-0-316-70704-6

Page Count: 672

Publisher: Little, Brown

Review Posted Online: Aug. 8, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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