The novel’s pacing is occasionally uneven, but Lenny’s grief feels palpable and honest.

ALL THE WAYS THE WORLD CAN END

Lenny’s compulsive behaviors intensify as her father’s cancer prognosis declines.

A planetarium exhibit seen when she was 9 triggered Lenny’s obsession with catastrophic events that could end the world. She details them in a secret notebook, the pages of which begin each chapter of the novel. But instead of nanotechnology or sun storms, her father’s diagnosis is the event destroying her world. Lenny’s a problem-solver, though (as evidenced by her secret survival bunker underneath their house), and so she latches on to Dr. Ganesh’s suggestions about potential experimental drug trials. (Indian-American Dr. Ganesh, called "Dr. Hottie" by Lenny's sister, lends some diversity to the otherwise largely white cast.) Lenny also initiates increasingly inappropriate romantic overtures toward Dr. Ganesh, heedless of their 20-year age difference. Soon not even Lenny’s clever and wryly funny observations can hide the fact that she’s teetering on the edge of disaster, especially when she begins finding comfort in self-harming behaviors, compellingly portrayed. Unfortunately, the examination of Lenny’s emotional crisis and harmful coping mechanisms is often interrupted by subplots involving Lenny’s high school drama production and a local diner’s renovation. In fact, wrapping up the multiple storylines eventually necessitates some abrupt changes in Lenny. And while accepting her father’s impending death sparks a welcome return of her equilibrium, its suddenness may surprise many readers.

The novel’s pacing is occasionally uneven, but Lenny’s grief feels palpable and honest. (Fiction. 12-18)

Pub Date: July 11, 2017

ISBN: 978-0-374-30425-6

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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