by Abdulrazak Gurnah ‧ RELEASE DATE: Aug. 23, 2022
A novel with an epic feel, even at 320 pages, building a complex, character-based story that stretches over generations.
Pensive novel of desperate lives in colonial East Africa by 2021 Nobel Prize–winning writer Gurnah.
Where is Ilyas Hassan? That’s the central question that runs through Tanzanian British author Gurnah’s new novel, one that occupies its four principal characters. The oldest is Khalifa, who “did not look Indian, or not the kind of Indian they were used to seeing in that part of the world,” the product of an African mother and Gujarati father. Khalifa is but one of many Gujarati settlers around Zanzibar, territory taken by Germany in the “Scramble for Africa.” The Germans are not kind: By their lights, they “had to make the Africans feel the clenched fist of German power in order that they should learn to bear the yoke of their servitude compliantly.” Ilyas, a young migrant, is pressed into service in the schutztruppe, the colonial army, sent off to fight against first native peoples and then, as World War I erupts, the British. A younger man named Hamza also enlists, “silently wretched about what he had done.” Brutalized by a German officer in his unit, Hamza deserts and returns home and finds work in the same commercial enterprise as Ilyas and Khalifa, who has married a woman who is convinced that she is “surrounded by blasphemers,” a pious holy terror who reveals hidden depths. Gurnah’s story is an understated study in personality; the action is sparing, the reaction nuanced and wholly believable, and the love story that develops between Hamza and a young woman named Afiya touching: “ ‘I have nothing,’ he said. ‘Nor do I,’ she said. ‘We’ll have nothing together.’ ” The denouement, too, is unexpected, the story drawn to a close by two Ilyases: the original and Hamza’s son, who bears his name. Gurnah’s novel pairs well with Cameroon writer Patrice Nganang’s novel A Trail of Crab Tracks as a document of the colonial experience, and it is impeccably written.
A novel with an epic feel, even at 320 pages, building a complex, character-based story that stretches over generations.Pub Date: Aug. 23, 2022
ISBN: 978-0-59354-1-883
Page Count: 320
Publisher: Riverhead
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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