A novel with an epic feel, even at 320 pages, building a complex, character-based story that stretches over generations.
Pensive novel of desperate lives in colonial East Africa by 2021 Nobel Prize–winning writer Gurnah.
Where is Ilyas Hassan? That’s the central question that runs through Tanzanian British author Gurnah’s new novel, one that occupies its four principal characters. The oldest is Khalifa, who “did not look Indian, or not the kind of Indian they were used to seeing in that part of the world,” the product of an African mother and Gujarati father. Khalifa is but one of many Gujarati settlers around Zanzibar, territory taken by Germany in the “Scramble for Africa.” The Germans are not kind: By their lights, they “had to make the Africans feel the clenched fist of German power in order that they should learn to bear the yoke of their servitude compliantly.” Ilyas, a young migrant, is pressed into service in the schutztruppe, the colonial army, sent off to fight against first native peoples and then, as World War I erupts, the British. A younger man named Hamza also enlists, “silently wretched about what he had done.” Brutalized by a German officer in his unit, Hamza deserts and returns home and finds work in the same commercial enterprise as Ilyas and Khalifa, who has married a woman who is convinced that she is “surrounded by blasphemers,” a pious holy terror who reveals hidden depths. Gurnah’s story is an understated study in personality; the action is sparing, the reaction nuanced and wholly believable, and the love story that develops between Hamza and a young woman named Afiya touching: “ ‘I have nothing,’ he said. ‘Nor do I,’ she said. ‘We’ll have nothing together.’ ” The denouement, too, is unexpected, the story drawn to a close by two Ilyases: the original and Hamza’s son, who bears his name. Gurnah’s novel pairs well with Cameroon writer Patrice Nganang’s novel A Trail of Crab Tracks as a document of the colonial experience, and it is impeccably written.
A novel with an epic feel, even at 320 pages, building a complex, character-based story that stretches over generations.Pub Date: Aug. 23, 2022
ISBN: 978-0-59354-1-883
Page Count: 320
Publisher: Riverhead
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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