A tightly constructed family drama with surprising complications.
Nobel Prize–winning novelist Gurnah delivers a story whose title reverberates throughout.
Raya is a beauty who, having caught the eye of a revolutionary soldier in the colonial Tanzania of the early 1960s, is instead married off quickly to an older man whom she does not love and who “was relentless in his demand for her body.” She finally leaves him, taking her 3-year-old son, Karim, with her. He is mostly an afterthought; as Gurnah writes, somberly, “Karim’s mother treated him like a possession she was fond of but the details of whose welfare she was happy to leave to her parents.” Finding new love, she leaves Karim with them; only two years later is he invited to visit her in her new home in Dar es Salaam. Without much ambition, he finally moves in with Raya and her husband, Haji, to attend university, a household arrangement augmented by the arrival of a young man, Badar, a villager who, though a kinsman of Haji’s, is treated as a servant. Badar is uncomplaining, though he harbors a hatred for the father who abandoned him: “He could not remember when he started to think of him as a shithead,” but the feeling runs deep. An accusation of theft shatters the uneasy peace of the household, unfounded though it is; it will not be the first time that Badar comes under suspicion, although it is the late-blossoming and suddenly career-minded Karim who abuses Badar’s trust—and that’s just the start of it. No word is wasted as Gurnah steadily subverts the good will he has built for Karim and reveals Badar to be less passive than he appears. Unexpectedly, the story even has a happy ending, if only for Badar—and given the trials he’s put through by hapless Western tourists, arrogant aid workers, and his own family, that’s a relief.
A tightly constructed family drama with surprising complications.Pub Date: March 18, 2025
ISBN: 9780593852606
Page Count: 304
Publisher: Riverhead
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
PERSPECTIVES
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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