Heart-wrenching and hopeful—a reminder that we can change our stories.

EVERY OTHER WEEKEND

Two teens from broken families find solace in one another’s company.

After the death of his oldest brother, Adam and the rest of his family grieve in ways that pull them apart. When Adam’s father moves out, Adam and his other brother alternate weekends with each of their parents. At his father’s apartment complex, Adam meets his neighbor Jolene, a 15-year-old aspiring filmmaker who is a pawn in her parents’ bitter divorce. Her father cheated on her mother with a much younger woman, and Jolene is forced to spend every other weekend with her since her father is never home. Though details of their situations differ, Adam’s and Jolene’s lives parallel one another as they develop a special kinship in which Jolene is a balm to soothe Adam’s grief and anger with his father and Adam offers a critical remedy for Jolene’s deep-rooted loneliness. Though the story feels long-winded at times, Johnson (Even If I Fall, 2019, etc.) has written a complex and emotionally charged character-driven story that explores a variety of painfully human themes, including loss and emotional abuse. Adam’s and Jolene’s struggles will draw readers in, and the slow-burning romance will touch readers’ hearts. The book situates whiteness as the norm; Jolene’s father’s girlfriend is Asian, and two of Jolene’s friends are dark skinned.

Heart-wrenching and hopeful—a reminder that we can change our stories. (Fiction. 13-18)

Pub Date: Jan. 7, 2020

ISBN: 978-1-335-92909-9

Page Count: 432

Publisher: Inkyard Press

Review Posted Online: Sept. 23, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

IF HE HAD BEEN WITH ME

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: March 1, 2013

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Necessary, important, honest, loving, and true.

YOU'D BE HOME NOW

A gut-wrenching look at how addiction affects a family and a town.

Emory Ward, 16, has long been invisible. Everyone in the town of Mill Haven knows her as the rich girl; her workaholic parents see her as their good child. Then Emory and her 17-year-old brother, Joey, are in a car accident in which a girl dies. Joey wasn’t driving, but he had nearly overdosed on heroin. When Joey returns from rehab, his parents make Emory his keeper and try to corral his addictions with a punitive list of rules. Emory rebels in secret, stealing small items and hooking up with hot neighbor Gage, but her drama class and the friends she gradually begins to be honest with help her reach her own truth. Glasgow, who has personal experience with substance abuse, bases this story on the classic play Our Town but with a twist: The characters learn to see and reach out to each other. The cast members, especially Emory and Joey, are exceptionally well drawn in both their struggles and their joys. Joey’s addiction is horrifying and dark, but it doesn’t define who he is. The portrayal of small-town life and its interconnectedness also rings true. Emory’s family is White; there is racial diversity in the supporting cast, and an important adult mentor is gay. Glasgow mentions in her author’s note that over 20 million Americans struggle with substance abuse; she includes resources for teens seeking help.

Necessary, important, honest, loving, and true. (Fiction. 14-18)

Pub Date: Sept. 28, 2021

ISBN: 978-0-525-70804-9

Page Count: 400

Publisher: Delacorte

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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