A somber, disturbing mystery fused with a scathing look at the fashion industry.
A monk reenters his old Manhattan life, where his family’s multimillion-dollar fashion empire may have ties to his former girlfriend’s murder, in Mangin’s debut thriller.
Someone kidnaps former top model Ava Germaine and drapes her in a “skin coat”—made from the skin of a human corpse—for a Fashion Week runway. St. Joseph’s Abbey later receives a bloody package addressed to Cecil LeClaire, the name one of its monks formerly used. Inside is a hand and a bracelet Cecil identifies as having belonged to Annabelle Leigh, his girlfriend who vanished a decade ago when they were both 14. Popular media theories include that Margaux was somehow involved in Annabelle’s abduction or that Cecil, heir to his mother Margaux’s LeClaire Model Management, killed Annabelle. Believing the “skin coat” was made from Annabelle’s skin, which a doctor eventually verifies, Cecil returns to New York to bury his past before taking his solemn vows. It’s quickly apparent that the teen models living in LeClaire Mansion are not living well, perpetually hungry and not allowed to leave without supervision. But Cecil soon suspects that a mysterious, fashion-affiliated person called VD is Annabelle’s killer and that Margaux may somehow be involved. He teams up with Ava to infiltrate VD-associated Quirk Model Management and discovers a world of sordidness, where maltreated women are mere products. Mangin’s relentlessly grim story takes a dim view of the modeling industry, noting a “model’s job was to play dead,” with 24-year-old Ava designating herself as “a really old hag.” Numerous characters are either unpleasant or flawed; Cecil mostly abides by his vows but has an obvious romantic interest in celebrated fashion designer Tazia Perdonna, who happens to be his godmother. Ava’s eccentricity, however, is a bright spot: She cares for a pet rat and tries to pass off movie plots as her personal history. Mangin writes in a confident, razor-edged style in a book with genuinely engaging elements, from VD to the perils of young female models.
A somber, disturbing mystery fused with a scathing look at the fashion industry.Pub Date: July 12, 2020
ISBN: 978-1-73455-341-3
Page Count: 412
Publisher: Visage Media LLC
Review Posted Online: May 11, 2020
Review Program: Kirkus Indie
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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