An irresistibly sexy suspense tale.
A dragon shifter and exiled king gets more than he bargained for when he discovers a fiery and passionate phoenix in this paranormal romance.
Brand Astarot, a dragon shifter and rightful heir to his family’s gold throne, is driven by a single goal. He seeks revenge against Uther Hagan, the man responsible for the murders of his parents and siblings and the loss of his clan’s throne. For centuries, Brand has worked as a mercenary for King Ladon Ormarr, accepting the toughest assignments while developing a plan to avenge the killings. His latest mission takes him to a medical facility in Cheyenne, Wyoming, and a young woman described as a “supernova” by a staff member. The patient is Kasia Amon, a rare phoenix whose powers include prophetic visions. If Brand brings Kasia to Ladon, he will secure the support of the king’s clan and have the leverage he needs to defeat Uther. But Kasia is accustomed to life on the run, and she escapes from the facility. Undeterred, Brand pursues her, and they embark on a harrowing journey to Ladon’s clan in Ben Nevis, Scotland. Along the way, they discover they share a powerful and profound physical and emotional connection. Although Brand promised Kasia to Ladon, his desire to claim her as his mate leads him to reconsider this scheme. When Uther discovers Kasia is a phoenix, Brand is locked in a race to protect the woman he loves. This first installment of Owen’s (The Rookie, 2019, etc.) Inferno Rising series is an engaging and compulsively readable love story with the right mix of action and eroticism. Kasia and Brand are appealing protagonists whose slow-burn romance is punctuated by passionate chemistry and spirited and witty dialogue (“Who put you in charge?” “I’m your mate.” “That doesn’t mean a damn thing, lizard boy”). They are surrounded by a large and well-developed cast of supporting characters and a panoply of supernatural beings, including Brand’s friend and protector Ladon; Hershel, a demon who runs a very unusual biker bar; and Pytheios Chandali, a king who wanted Kasia’s mother, Serefina, and ultimately murdered her father. The sprawling narrative takes Kasia and Brand on a long journey from Wyoming to Scotland, but the author’s confident storytelling keeps the narrative moving at a brisk clip. The novel is perfect for fans of Sherrilyn Kenyon and Kelley Armstrong.
An irresistibly sexy suspense tale.Pub Date: July 30, 2019
ISBN: 978-1-64063-531-9
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: Aug. 1, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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