A sexy YA fantasy that creates a deep bedrock for sequels.
Texas novelist Owen (The Cursed King, 2021, etc.) launches a new YA series with a tale of a princess and her nonruling twin who battle an ancient enemy of their kingdom.
In the kingdom of Aryd, 18-year-old Meren is Princess Tabra’s twin. As the second-born of the pair, she must live outside the palace as a peasant with Omma, her caretaker. Should anything happen to her sister, Meren would take her place permanently in the public’s eye. The main threat comes from King Eidolon of Tyndra, an immortal with a penchant for murdering Aryd’s female rulers. Meren finds her primary relief from her drab life in sneaking outside the walls of the city of Enora to the desert. Even as the second-born she has special powers over sand, and she uses them there to sculpt glass flowers for Tabra. Meren also meets with Cain, a handsome desert Wanderer who expects to become the next “zariph” of his “zariphate.” Cain asks Meren to join his Wanderers and travel to Aryd’s Sacred Tree, but she’s kidnapped by a shadowy figure who takes her through a portal to the region called Wildernyss. The coldly attractive man is Reven, a Shadowraith who can manipulate darkness. When he claims to need Tabra’s help, Meren pretends to be her sister and learns Reven’s secrets, which both terrify her and draw her to him. The author playfully leads readers through sharp fantasy twists as Meren and Reven travel together, encountering a petrified dragon skeleton and a harpy eagle that mimics the sound of a woman climaxing. Owen adds modern phrases to keep things fresh (Meren calls herself a “total bitch”) and a bit of political commentary in lines like: “People...don't want to acknowledge a problem exists unless it affects them personally. And leaders, once they gain power, don’t want to risk losing it again.” Reven turns out to have a shocking connection to King Eidolon that further complicates his entanglement with Meren. The finale rattles the status quo enough to pique interest in future installments.
A sexy YA fantasy that creates a deep bedrock for sequels.Pub Date: Aug. 30, 2022
ISBN: 978-1-64937-152-2
Page Count: 448
Publisher: Entangled Teen
Review Posted Online: July 7, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This tear-jerker will leave readers wanting to follow the next chapter in Darius’ life.
Darius Kellner suffers from depression, bullying by high school jocks, and a father who seems to always be disappointed in him.
When Darius’ grandfather becomes terminally ill, Darius, along with his parents and younger sister, travels to Iran for the first time in his life. Iranian on his mother’s side and white American on his father’s side, Darius never quite fits in. He’s mocked for his name and nerdy interests at Chapel Hill High School in Portland, Oregon, and doesn’t speak enough Farsi to communicate with his Iranian relatives either. When he arrives in Iran, learning to play the Persian card game Rook, socializing, and celebrating Nowruz with a family he had never properly met before is all overwhelming and leaves Darius wondering if he’ll ever truly belong anywhere. But all that changes when Darius meets Sohrab, a Bahá’í boy, in Yazd. Sohrab teaches Darius what friendship is really about: loyalty, honesty, and someone who has your back in a football (soccer) match. For the first time in a long time, Darius learns to love himself no matter what external forces attempt to squash his confidence. Khorram’s debut novel is filled with insight into the lives of teens, weaving together the reality of living with mental illness while also dealing with identity and immigration politics.
This tear-jerker will leave readers wanting to follow the next chapter in Darius’ life. (Fiction. 12-adult)Pub Date: Aug. 28, 2018
ISBN: 978-0-525-55296-3
Page Count: 320
Publisher: Dial Books
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
PROFILES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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