Rather than a nostalgic lament, this revelatory book celebrates an indelible cultural imprint.

ST. MARKS IS DEAD

THE MANY LIVES OF AMERICA'S HIPPEST STREET

An illuminating stroll through the decades of one of the most culturally significant streets in America.

The first book by journalist Calhoun vividly details the long legacy of artistic upheaval, political foment, demographic transformation, and resistance to gentrification along the street on New York’s Lower East Side where she grew up. St. Marks Place doesn’t submit to the easy stereotyping of San Francisco’s Haight-Ashbury, perhaps because “hippies” and “Summer of Love” represented such a comparatively brief blip in American culture. The hippies of St. Marks preferred to be called “freaks,” with less of an emphasis on love and more on the liberation of anarchy. But as the author traces the legacy of St. Marks back four centuries, she shows how the street has long served as a magnet for radical visionaries, crackpot artists, self-proclaimed prophets, and runaways with nowhere else to go. “Disillusioned St. Marks Place bohemians—those who were Beats in the fifties, hippies in the sixties, punks in the seventies, or anarchists in the eighties—often say the street is dead now, with only the time of death a matter of debate,” she writes, and then counters, “but this book will show that every cohort’s arrival, the flowering of its utopia, killed someone else’s.” In quickly paced, anecdotal fashion, Calhoun connects the dots between Emma Goldman and Abbie Hoffman, Charlie Parker and the Velvet Underground, those who occupied the neighborhood during different decades but sustained its character as kindred spirits. While readers looking for a more thorough documentation of the Beats or CBGB might consider the narrative a little hit-and-run, the breezy approach underscores the radical, significant transformations experienced by St. Marks and leads to her engagingly personal reflection on how a child raised there might not feel much nostalgia for blocks of discarded needles, used condoms, and threats of pedophilia: “though St. Marks Place will probably always elude true respectability, the street today is safer and more pleasant than at any point in the last fifty years.”

Rather than a nostalgic lament, this revelatory book celebrates an indelible cultural imprint.

Pub Date: Nov. 2, 2015

ISBN: 978-0-393-24038-2

Page Count: 416

Publisher: Norton

Review Posted Online: Aug. 14, 2015

Kirkus Reviews Issue: Sept. 1, 2015

Did you like this book?

No Comments Yet

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

1776

A master storyteller’s character-driven account of a storied year in the American Revolution.

Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

Pub Date: June 1, 2005

ISBN: 0-7432-2671-2

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

Did you like this book?

more