Wagner’s operas inspired this Valkyrie-themed look at the first day of school.
Choosing to define Valkyrie as “an ancient Norse goddess who guides and protects heroes” (rather than the more common life-or-death decision-maker for warriors), Auerbach’s choice of protagonist is an unusual one that may simply go over the heads of young readers, though they will certainly empathize with her. Off to school to meet kids her own age, Edda is not sure Earth compares favorably to her life back in Asgard. At home, Edda can do as she pleases, whereas at school, she will get a timeout if she doesn’t follow the rules. No one wants to share or trade lunches with Edda, who has brought a flagon of…something and a huge hunk of meat still on the bone, and she misses the amazing wildlife of Asgard—Rex the classroom guinea pig is no substitute. But things begin to look up when Edda uses a difficult writing assignment to describe Asgard for her classmates, who suddenly want to know more about Edda and where she lives. Auerbach’s pen-and-ink illustrations were colored digitally, giving them a flat, matte aspect. The two worlds are just as incongruous as adult readers might imagine.
While this will introduce readers to aspects of Norse mythology, there’s not enough detail to satisfy; the questions this will raise far outweigh any comfort those new to school may gain from it. (Picture book. 4-8)Pub Date: June 24, 2014
ISBN: 978-0-8050-9703-0
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: May 14, 2014
Kirkus Reviews Issue: June 1, 2014
Categories: CHILDREN'S SOCIAL THEMES
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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: June 1, 2016
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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A recovering curmudgeon narrates life lessons in the latest entry in the punny Food Group series.
Grape wasn’t always sour, as they explain in this origin story. Grape’s arc starts with an idyllic childhood within “a close-knit bunch” in a community of “about three thousand.” The sweet-to-sour switch begins when Grape plans an elaborate birthday party to which no one shows up. Going from “sweet” to “bitter,” “snappy,” and, finally, “sour,” Grape “scowled so much that my face got all squishy.” Minor grudges become major. An aha moment occurs when a run of bad luck makes Grape three hours late for a meetup with best friend Lenny, who’s just as acidic as Grape. After the irate lemon storms off, Grape recognizes their own behavior in Lenny. Alone, Grape begins to enjoy the charms of a lovely evening. Once home, the fruit browses through a box of memorabilia, discovering that the old birthday party invitation provided the wrong date! “I realized nobody’s perfect. Not even me.” Remaining pages reverse the downturn as Grape observes that minor setbacks are easily weathered when the emphasis is on talking, listening, and working things out. Oswald’s signature illustrations depict Grape and company with big eyes and tiny limbs. The best sight gag occurs early: Grape’s grandparents are depicted as elegant raisins. The lessons are as valuable as in previous outings, and kids won’t mind the slight preachiness. (This book was reviewed digitally.)
Sweet, good-hearted fun. (Picture book. 4-8)Pub Date: Nov. 1, 2022
ISBN: 978-0-06-304541-5
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 31, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Categories: CHILDREN'S SOCIAL THEMES
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