A novel about a scheming president offers an excellent read for those who love thrillers or 21st-century history.
In this dystopian sequel, the Underground races to expose a secret surveillance program before the Enemy’s final blow.
The Enemy has bombarded the Capital with airstrikes. The man known as Seven, who once worked for the government’s Elite Guard as Agent Jon Wyle, has evacuated the city with damning information on a flash drive. He aims to prove that President William Drake, his surveillance-obsessed administration, and the fearmongering Church want nothing less than complete control over the nation’s populace. He ends up sharing a car with a woman named Talia, and they head for Loganville, to her brother Shaan’s home. Naturally, Elite Guard Agent Eve Parker—Jon’s fiancee—remains on Seven’s trail. Seven and his cohorts narrowly escape into the arms of Daniel Alexander Young Jr. and the Underground, the freethinking “Heretics” battling the nation’s enforced division. As Young plans to expose the executive branch as corrupt, Drake uses the Capital attack to announce Patriot ID, a chip-based (and mind-invading) program that will “quickly separate the Heretics from the Patriots.” Then the Enemy contacts the Underground, claiming a too-good-to-be-true desire for a joint effort in taking down Drake. Do Seven and Young dare use the Enemy’s firepower to ignite revolution in cities across the country? In this sequel, Bender (We, the Watched, 2013, etc.) further filters the chaos of the George W. Bush presidency through a gripping dystopian narrative. At one point, Young explains, “We have four branches of government: executive, legislative, judicial, and the Church.” Bender expertly fleshes out Eve and Jon’s relationship through flashbacks. These scenes help fully realize the evolution of his characters’ hearts and minds as the moral terrain worsens. There are even critiques of U.S. empire building, as when Seven asks, “How can we be so sure that,” once the Enemy has defeated Drake, it won’t be “just as controlling as the Guard?” Overall, the author keeps the narrative fluid, never bogging it down in extended battle sequences or windy polemics. Bender’s sequel is a worthy delivery on the promise of his riveting debut.
A novel about a scheming president offers an excellent read for those who love thrillers or 21st-century history.Pub Date: May 9, 2014
ISBN: 978-1-4954-9212-9
Page Count: 328
Publisher: CreateSpace
Review Posted Online: May 27, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
The sequel to To Save the Sun (1992) shares the previous book's large-canvas premise as the Empire of the Hundred Worlds pursues a generation-spanning project to save Earth's dying sun. Despite the hard-science backdrop, much of the plot concerns Lord Jephthah, a mysterious demagogue who preaches hatred of the alien Sarpan. Now the discovery of still another new race on a distant planet sends the finest minds of the Empire to study it — as does Jephthah, who seeks new evidence to discredit the Emperor, followed by Imperial agents hoping to catch Jephthah. Many of the central characters from the previous volume — long-lived through life-extension technology or cryogenic sleep — make return appearances. In an interesting, but insufficiently developed subplot, an Australian aborigine leader named Billy Woorunmarra attempts to reconnect his far-flung people with their traditions. Well-paced, if sometimes melodramatic; overall an improvement over its predecessor.
Pub Date: Nov. 1, 1994
ISBN: 0812523822
Page Count: 320
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
A shelf-cracking sequel to The Great and Secret Show (1989) that begs the question: Is this sort of hermetic dross really worth the felling of defenseless forests? It's back to the shores of Quiddity, the undulant dream sea that separates worldly Cosm (a.k.a. the Helter Incendo, where we Sapas Humana live) from the trippy Metacosm (home of fabulous beings with names like Noah and King Texas), for a restaging of the epic struggle for the Art, major magic that was last coveted by the infinitely wicked Kissoon, who sponsored the previous battle to control this transcendental force. Itinerant biker chick Tesla Bombeck leads the way to Everville, a sleepy small town in Oregon about to be savaged by the passage of the Iad Uroboros—a mindless, evil juggernaut bent to Kissoon's will—through a rip in the veil between Cosm and Metacosm. Determined to thwart Kissoon, Bombeck enlists the aid of several cronies, among them Catholic gumshoe Harry D'Amour, a tattooed student of necromancy; computer archivist Nathan Grillo, guardian of the novel's paranormal Internet; and Phoebe Cobb, an Everville resident whose lover, Joe Flicker, has fled to Quiddity. A vast array of freaks and oddities—moody ghosts, supernatural impresarios, serpents molded from feces—crops up as everyone lurches toward the apocalypse at Everville's crossroads (there's even a vigilante marching band). Flogging his readers with one limp cliffhanger after another and concocting increasingly more baroque pseudo-religious explanations for each new image of wonder or shock that floats, flies, drifts, swims, or slithers into view—while relinquishing a lot of the sex and gore that have enlivened other efforts—Barker gasses on to a feeble climax before abandoning the story to its doleful collapse. The man should have his pens and paper taken away before he can get to thinking about a trilogy. Everville? Never mind.
Pub Date: Oct. 27, 1994
ISBN: 0-06-017716-0
Page Count: 704
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
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