by Adam Berlin ‧ RELEASE DATE: N/A
A beery, imperfect collection about the stories men tell themselves.
Actors, alcoholics, and other deluded men populate Berlin’s debut short fiction collection.
An ambivalent college student hosts his struggling actor friend in his Boston dorm, rebuffing the latter’s attempts to get him to return to New York and their days of partying and auditions. A man and his new wife go on a trip to Hawaii—where he lived for a year as a child—but his memories, coupled with the fact that his wife has to work during the day, bring the vacation to a boil. An underqualified striver is hired to teach karate to a 7-year-old autistic boy, but his student is reluctant to speak or make any contact. In these 15 stories, Berlin probes the depths of male fantasy, fear, and self-invention, and the dark ends to which they often lead. In one of the more memorable tales, “Practice Makes,” a man who has been sentenced to three years in prison for beating up a bartender is terrified that he won’t be able to defecate in the crowded quarters of a cell. In order to practice, he asks the woman he’s dating to watch him while he’s on the toilet. She’s unexpectedly supportive. (“‘You look sexy even on the pot,’ she said. I rested my head on my fist like The Thinker. ‘I always thought he was doing that too,’ she said.”) The image resonates throughout the rest of the collection: A man who wants to see himself a certain way—a tough guy, a professional, an artist, someone with some dignity—is placed beneath the discomfiting gaze of someone who can see through his facade. A film buff, an amateur yachtsman, an author on a poorly attended book tour who finds himself alone in a Red Lobster—these are the sort of characters on whom the author fixes his lens, testing how long they can withstand the pressure of being examined.
Berlin’s prose is sharp, particularly his dialogue. When the man about to go to prison meets a gastroenterologist in a bar, the doctor attempts to assuage the man’s bathroom fears: “When it concerns fecal matter, I’ve heard and seen it all. If it’s in your head, your body will take over. The body always takes over. The body wins no matter what anyone says.” The author’s love of movies sometimes leads to Hollywood tropes bleeding into his fiction, however; his male protagonists are often a bit too cool, his female characters a bit too enamored of them. When the same soon-to-be prisoner meets a woman in a bar and tells her he’s going away in 26 days, she responds, smartly, “It’s perfect. Twenty-six days is the exact number of days it takes for me to get sick of someone. At the very moment I start tiring of you, you’ll be gone.” It’s a good line, but not a particularly believable one, especially from a woman who just learned the man she’s flirting with is a violent drunk. There’s much here to like, but in nearly every story, the reader is left wishing Berlin had set aside his stylish flourishes to present a more true-to-life version of masculinity.
A beery, imperfect collection about the stories men tell themselves.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: July 12, 2024
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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More About This Book
SEEN & HEARD
by Anna Quindlen ‧ RELEASE DATE: Feb. 24, 2026
Though uneven, this is still a pleasurable, comforting read.
Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.
Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.
Though uneven, this is still a pleasurable, comforting read.Pub Date: Feb. 24, 2026
ISBN: 9780593734605
Page Count: 256
Publisher: Random House
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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