A good snuggle-time read when rain turns everyone grumpy.
It all happens one morning when “weather is being the peskiest pest.”
Wallow the Bear is just heading out to play when he notices a “rainstorm rolling along.” Wallow is, as his name suggests, “unfortunately, a quite gloomy fellow” who “always [gets] sad when it start[s] to rain.” So Wallow heads inside and hunkers down in his cozy cave, but his frustration rises with the water level. When he finally tries to sleep through the rest of the storm, the sounds of splashing and laughter echo in his cave. When Wallow looks out, he sees his friend, Little Cub, playing in the rain puddles, and Wallow’s frown turns into a smile. Thanks to Little Cub’s friendship and positive attitude, “Wallow always [plays] in the rain from that day on,” and, as the moral to the story, Wallow realizes that his “gloominess wasn’t because of the storm, / but because he’d never seen past the rain clouds before.” The text is set in, mostly, four-line stanzas, but, possibly due to the (uncredited) translation from the Dutch, scansion can be a challenge, and these stanzas often flow better when read as a couplet, sometimes with optional end rhymes. Cartoon illustrations feature woodland greens and browns; Wallow’s cave is realized in warm red-brown and beiges enclosed in a black cave outline. In the woodland scenes, diagonal lines subtly emphasize the rainfall and, later, the sunshine. (This book was reviewed digitally with 10.2-by-19.6-inch double-page spreads viewed at 31.2% of actual size.)
A good snuggle-time read when rain turns everyone grumpy. (Picture book. 3-6)Pub Date: April 6, 2021
ISBN: 978-1-60537-598-4
Page Count: 32
Publisher: Clavis
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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