Delivers all the guilty pleasures the title promises and leaves you pathetically grateful for your own petty social circle.
Days after a party celebrating the perfect New York couple's first anniversary, the roster of guests who’ve survived it is suddenly decreased by one.
Jessica and James Sommers have the ideal marriage. Of course, every marriage has its hiccups. Realtor Jessica left her first husband, high school biology teacher Wayne Fiske, and art dealer James left his first wife, investment banker Haley Sommers, following an adulterous affair. Wayne has forgiven Jessica enough to show up at the party, and Haley, who’s had a lot of time on her hands since getting fired from her high-paying job, violates a restraining order to sneak in so she can interrupt the happy couple’s anniversary toasts by announcing exactly what she thinks of them. Jessica and Wayne’s 17-year-old son, Owen, who survived a bout of leukemia four years ago, is told that it’s returned and that the frightfully expensive experimental treatment his oncologist recommends won’t be covered by insurance. James, desperate to earn more money he can give Jessica for her son, lets Reid Warwick, who has his eye on Jessica, suck him into a highly questionable deal to sell some Jackson Pollock sketches of dubious provenance. In short, virtually everyone in the cast acts as if they have a target on their back, and it’s a shame that only one of them will get bashed to death. Once he’s created his sublimely bitchy ensemble of well-groomed users and losers, Mitzner lets them run amok, subject only to their amour propre and their determination not to knuckle under to NYPD Lt. Gabriel Velasquez’s plaintive requests for the DNA samples that will end up fingering the perp.
Delivers all the guilty pleasures the title promises and leaves you pathetically grateful for your own petty social circle.Pub Date: April 1, 2021
ISBN: 978-1-5420-0576-0
Page Count: 304
Publisher: Thomas & Mercer
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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