Riveting drama and sensuous prose make for an unforgettable love story.
A stripper unwittingly becomes a sexual surrogate for a wealthy Russian immigrant and his paralyzed wife in Pelzman’s beautifully rendered debut.
Perla is looking for a way out of her dead-end job at a Ft. Lauderdale strip club when she leads Julian Pravdin to the Champagne Room for a private dance. Narrating in the present tense, the pretty Cuban-American is so street-smart that we believe her when she says it’s safe to follow the stranger to the parking lot and, eventually, his hotel. Julian has a soft spot for strippers. Forced into a Siberian orphanage after his father’s death sent his mother on a downward spiral of drug abuse and prostitution, he escaped by drawing on the fighting instincts he inherited from his father, a hunter. Here and elsewhere, Julian’s brutality comes into play, but he never loses the reader's sympathy. He grows up to be a respectable businessman in New York, where he lives with his wife, and though a third-person narrator tells Julian's back story, guarding his thoughts, it’s clear that neither entitlement nor boredom are behind his affair with Perla. His wife, Sophie, is adjusting to a new reality after being paralyzed from the waist down. The initially jarring introduction of this second heroine brings the simmering plot to a boil, revealing it to be a character study in the aftermath of tragedy. Pelzman has a well of sympathy for his characters—the sponge baths Sophie gets from her nurse are every bit as intimate and sensual as the clandestine meetings between Julian and Perla. When the stripper threatens the delicate balance of her marriage, Sophie uses the only weapons she has—her helplessness and ability to elicit pity—to hold on to what’s left of her life. The word troika describes a group of three or a Russian carriage pulled by three horses. With unflinching honesty, the author goes to the source of Julian’s violence, Perla’s emotional detachment and Sophie’s manipulation to show how a third horse could work in a two-horse marriage.
Riveting drama and sensuous prose make for an unforgettable love story.Pub Date: May 1, 2014
ISBN: 978-0-399-16748-5
Page Count: 288
Publisher: Amy Einhorn/Putnam
Review Posted Online: March 12, 2014
Kirkus Reviews Issue: April 1, 2014
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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