A colorful celebration of creativity and Deafness.
Philomena creates a superhero and goes on a fabulous adventure in her own imagination.
As the story begins, Philomena is exploring a jungle when her father interrupts to insist that she clean up her living-room blanket fort and wear her hearing aids. Her hearing aids are annoying and loud, and she would much rather sign than listen and speak. Philomena, who has light skin and straight black hair, wants to live and play in her own way—not the way others think she should. She doesn’t want to read about a sad deaf woman; she wants to create an awesome superhero! In her room, she imagines a cast of colorful heroes, monsters, and robots to entertain her. The human characters are racially diverse—though one unfortunately plays into Asian stereotypes—and some use wheelchairs. As Philomena daydreams, Sanfelippo’s vibrant illustrations grow to fill the page and bring readers into Philomena’s world. The actual plot is thin, but the lively text and illustrations usher readers from one page to the next. It is a delight to see Philomena unapologetically reject hearing aids and speech and take joy in signing. Pottle shows readers the rich inner life of a Deaf child and directly counters the tragic narrative of deafness while telling a fun story that any young reader could enjoy. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 20.1% of actual size.)
A colorful celebration of creativity and Deafness. (Picture book. 4-8)Pub Date: Sept. 30, 2020
ISBN: 978-1-4788-6812-5
Page Count: 40
Publisher: Reycraft Books
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Deeply familiar but infused with 21st-century smarts; expect cries for repeated reads.
Two acclaimed creators retell a fairy-tale classic.
Employing a conversational style, Barnett offers a fresh and immensely entertaining take on an old story, much as he did with The Three Billy Goats Gruff, illustrated by Jon Klassen (2022). A miller (“a nice enough guy, but he had a big mouth”) encounters the king and, seeking to impress him, falsely claims that his daughter can spin straw into gold. What follows is the classic story, replete with spinning wheels and small men who make clandestine deals with the desperate for their offspring. While never diverging from the original, Barnett nevertheless allows his miller’s daughter, if not a name (on purpose, it turns out), then hobbies like “whittling sticks and catching tadpoles with her bare hands.” This miller’s daughter is still caught in the machinations of the men around her, but Barnett demonstrates that her love of the woods is key to her defeating Rumpelstiltskin. His sly retelling is perfectly complemented by art that at times resembles classical portraiture. Ellis also harkens back to fairy-tale images of yore with both lushly illustrated gouache pictures and small interstitial black-and-white spot art. Characters present white.
Deeply familiar but infused with 21st-century smarts; expect cries for repeated reads. (Picture book. 4-7)Pub Date: Feb. 3, 2026
ISBN: 9781338673852
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
PERSPECTIVES
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