A neurotic, unapologetic, hilarious collection.
Emmy-winning screenwriter Resnick holds nothing back in this debut of shamelessly personal tales.
Parents, siblings, former teachers, the blue-haired woman on the eighth floor—everyone is fair game in the author’s world. Darting from one defining (or scarring) memory to another, Resnick honestly recounts early childhood mishaps, the confusion of adolescence and the truly confounding notion of fatherhood. The writing is sharp and sharp-tongued, sometimes close to the line of mean-spirited—the book is not for readers who are easily offended. The opening story centers on a classmate’s Easter party, which Resnick had no intentions of attending until he realized his crush would be there. At the party, the author bonded with the young girl based on their mutual dislike of other kids, and they set out to find the “special” Easter egg filled with money. What he actually found was a highly inappropriate picture in the host’s filing cabinet that sent his crush fleeing, never to speak to him again. Meanwhile, Resnick’s young mind was forever warped and confounded by the image. The vulgar, adult language employed while explaining the story from his young self’s perspective is simultaneously unsettling and uproarious and sets the tone for the rest of the collection. Incidents—like the apartment porter’s pitching a screenplay while the elevator was delayed or when Resnick threw out his daughter’s piano while she was on vacation—could be pulled straight from lost scripts of Curb Your Enthusiasm. The stories of Resnick’s first job at a sleazy insurance company and his refusal as a child to pose with a frozen turkey at the supermarket stand out for their wit and relatability. The author’s aversion to just about everything paints him as nihilistic and cynical, but the subtle moments of genuine vulnerability remain the heart of every story. These moments prove redemptive for a character who sometimes feels beyond saving and shed light on how he developed such comically twisted viewpoints.
A neurotic, unapologetic, hilarious collection.Pub Date: May 8, 2014
ISBN: 978-0-399-16038-7
Page Count: 272
Publisher: Blue Rider Press
Review Posted Online: April 14, 2014
Kirkus Reviews Issue: May 1, 2014
PROFILES
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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