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THE 13TH DAY OF CHRISTMAS

This quirky take on a Christmas classic is the gift that will keep on giving, long after the 13th day.

We all know the story of the “Twelve Days of Christmas”—but what about the messy aftermath?

A partridge in a pear tree appears on the lonely protagonist’s doorstep—a thoughtful Christmas gift from a faraway true love, Trudy. Twelve days later, our hero’s bombarded by the wackiest assortment of presents imaginable: lords-a-leaping, maids-a-milking, and birds…so many birds! The loving gesture now feels like a cruel joke. On day 13, the protagonist and the ragtag entourage accidentally start a parade, delighting onlookers and picking up new friends along the way: “fun-runners running, electric bikers biking, skateboarders leaping.” The read-aloud set will find themselves intuitively singing certain passages to the classic tune thanks to the clever, rhythmic prose. Tongue-in-cheek graphic novel–style panels are complemented by full-page painterly spreads in Rex’s recognizable style. This heartfelt, extra-long picture book puts a weird, wacky, and wonderful spin on a familiar Christmas song. Rex’s signature snarky humor will appeal to both elementary schoolers and their grown-ups. The protagonist presents white and male, while the cast of characters is diverse. In a subtle feminist nod, Trudy—brown-skinned, with a partially shaved head—appears in the final pages to propose marriage.

This quirky take on a Christmas classic is the gift that will keep on giving, long after the 13th day. (Picture book. 4-8)

Pub Date: Sept. 9, 2025

ISBN: 9780823456536

Page Count: 48

Publisher: Neal Porter/Holiday House

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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