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Haunting and complex if uneven.

A collection of ghost stories in which the ghosts are imagined, metaphorical, and sometimes even real.

In “Wren & Riley,” a group of friends reunite after one of them kills her abusive husband in self-defense. But when they spend the night at her isolated home in Wyoming, they discover that death wasn’t enough to keep him away. In “Immanuel,” an enslaved Black boy grows up intertwined in an intense friendship with the White boy whose family holds him captive, but as the Civil War drags on, all illusions about the true nature of their relationship fall away. In “Sleepy Things,” Magdalena worries about her adult son’s relationship with his comatose girlfriend, when suddenly the girlfriend starts visiting Magdalena in her dreams. Soto’s new collection, as suggested by its subtitle, explores ghosts. Or, rather, hauntings, which may or may not involve literal ghosts. In “Death on Mars,” for instance, after a person dies, their personal AI starts to carry on in their place, a haunting that doesn't feel very different than a ghost simply because it's carried out by a computer. Similarly, in "The Prize," two writers plan to use a dead man's identity to publish their own work but find it makes them feel less real themselves. Sometimes Soto drifts a bit too far into metaphorical territory in those more realistic stories or waits until the very end to provide clarity. But where there is a more direct approach, as in “Immanuel,” “Sleepy Things,” and the title story (which does feature literal ghosts), his well-drawn characters with their nuanced battles with grief and hope shine brighter.

Haunting and complex if uneven.

Pub Date: Sept. 27, 2022

ISBN: 978-1-662-60135-4

Page Count: 272

Publisher: Astra House

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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It's almost enough to make a person believe in ghosts.

A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.

Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.

It's almost enough to make a person believe in ghosts.

Pub Date: May 10, 2022

ISBN: 978-1-250-81934-5

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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A unique story of transcendent love.

An aimless young musician meets the girl of his dreams only to have his newfound happiness threatened by several inexplicable—and possibly supernatural—events.

The story opens as Leeds Gabriel meets with a detective while his girlfriend, Layla, is restrained in a room one flight above them. Through the interview, readers learn that Leeds was wasting both his time and his musical talent playing backup for a small-town wedding troupe called Garrett’s Band when he spied Layla dancing her heart out to their mediocre music at a wedding. When Leeds approaches Layla, their connection is both instant and intense. A blissful courtship follows, but then Leeds makes the mistake of posting a picture of himself with Layla on social media. A former girlfriend–turned-stalker wastes no time in finding and attacking Layla. Layla spends months recovering in a hospital, and it seems the girl Leeds fell for might be forever changed. Gone is her special spark, her quirkiness, and the connection that had entranced Leeds months before. In a last-ditch effort to save their relationship, he brings Layla back to the bed-and-breakfast where they first met. When they get there, though, Leeds meets Willow, another guest, and finds himself drawn to her in spite of himself. As events unfold, it becomes clear that Willow will either be the key to saving Leeds’ relationship with Layla or the catalyst that finally extinguishes the last shreds of their epic romance. Told entirely from Leeds’ point of view, the author’s first foray into paranormal romance does not disappoint. Peppered with elements of mystery, psychological thriller, and contemporary romance, the novel explores questions about how quickly true love can develop, as well as the conflicts that can imperil even the strongest connections. Despite a limited cast of characters and very few setting changes, the narrative manages to remain both fast-paced and engaging. The conclusion leaves a few too many loose ends, but the chemistry between the characters and unexpected twists throughout make for a satisfying read.

A unique story of transcendent love.

Pub Date: Dec. 8, 2020

ISBN: 978-1-5420-0017-8

Page Count: 301

Publisher: Montlake Romance

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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