A nonsensical title and premise, frenetic illustrations, and butt jokes do not add up to a noteworthy Christmas story.
Santa’s head elf, Wink Silverbells, gathers all the items from “The Twelve Days of Christmas” so Santa can give them to Mrs. Claus as her Christmas gifts.
Wink, a boy elf with light skin and dark hair, serves as the first-person narrator, with his dialogue displayed in blue speech balloons. He finds the list of the unusual Christmas items in Santa’s office, including the words, “My true love gave to me…” and assumes that Santa needs to acquire these things as gifts for Mrs. Claus. The elf asks readers to help, a conceit intended to encourage participation later with whistling, honking like geese, and dancing. The concluding dance party finds Wink urging the readers to “Wiggle that butt!” and “Wilder! Crazier! More butt wiggling!” These comments are illustrated with a view of Wink from the rear holding up his tunic to display his candy-striped tights. Other cheap, above-children’s-heads moments include the comment, “What the elf?” and Wink’s assertion that the word “yes” in French is “wee.” Cartoon-style illustrations are humorous but very busy, including both male and female elves and several characters with brown skin tones; Santa is white. He explains to Wink that he doesn’t need all the items from the song for Mrs. Claus because he already bought her a vacuum. What the elf, Santa? Mrs. Claus deserves better.
A nonsensical title and premise, frenetic illustrations, and butt jokes do not add up to a noteworthy Christmas story. (Picture book. 4-7)Pub Date: Oct. 3, 2017
ISBN: 978-1-4926-4136-0
Page Count: 40
Publisher: Sourcebooks
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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