A droll, engrossing exploration of privileged teens striving to do better.
An elite international school community reacts to one student’s climate protest.
Marisa Cuevas, cued as Latina, is known mostly for being a good student until she, with several followers, chains herself to the doors of Central International School on its legendary high school lock-in night—turning a playful tradition into literal imprisonment. Nobody’s leaving, she says, until each of her 30 environmental demands is met. She’s prepared for condemnation and even fury from her classmates, but she doesn’t expect the unlikely group that forms to protect her. Alsaid (contributor: It's a Whole Spiel, 2019, etc.) takes readers deep into the students’ inner lives, winking all the while to offset the protest’s tragic urgency: Peejay Singh, half Indian/half Scottish, all charm and popularity, desperate to live up to his older brother’s example. Celeste Rollins, the black American new kid who befriends Japanese/British Kenji Pierce through improv but doesn’t yet know his terrible secret. Jordi Marcos (ethnicity and nationality unspecified), the outlier who isn’t sure himself why he’s against the protest—but still is, violently. Finally, Malaysian decathlete Amira Wahid, who finds her mother’s strictures falling away under Marisa’s fierce gaze. Packed with quips and insights, the wry narrative captures the intense yearnings of young adulthood; the ridiculous spectrum of clueless, controlling, and (sometimes) cooperative adults; and the overwhelming inertia of institutions. Several main characters are queer.
A droll, engrossing exploration of privileged teens striving to do better. (Fiction. 13-18)Pub Date: April 7, 2020
ISBN: 978-1-335-14676-2
Page Count: 384
Publisher: Inkyard Press
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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