The end is worth the sometimes-perilous journey.
Boarding school drama and paranormal romance collide in this promising debut.
Sing da Navelli, daughter of a world-famous conductor and the late, legendary soprano Barbara da Navelli, arrives at the prestigious Dunhammond Conservatory determined to find recognition for her own talent. Surrounding the conservatory is a dark forest, shrouded in mystery and rumored home of the Felix, a fantastical beast whose tears become wishes. Sing is drawn to the forest and to the off-putting yet strangely attractive Nathan Daysmoor, an apprentice at the conservatory. The main narrative revolves around campus life and rehearsals for the Autumn Festival. The opera Angelique is the centerpiece of the festival, and Sing’s dreams are crushed when she is cast as the understudy to the title role. Rule weaves parallel narratives through the novel, following Nathan’s back story and the motivations of the Felix as she collides with humanity. Sing herself begins as a largely unlikable and shallow character but will grow on readers who have the patience to slog through the slow first half of the novel. Uneven pacing, underdeveloped secondary characters and a bloated main narrative put too much focus on teenage cattiness, while the Felix mythology and Sing’s relationship with Nathan are more interesting and original. Although not perfect, the second half is a compelling read.
The end is worth the sometimes-perilous journey. (Fantasy. 13-17)Pub Date: March 11, 2014
ISBN: 978-1-250-04816-5
Page Count: 336
Publisher: St. Martin's Griffin
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
An enjoyable, if predictable, romantic holiday story.
Is an exuberant extended family the cure for a breakup? Sophie is about to find out.
When Sophie unexpectedly breaks up with her boyfriend, she isn’t thrilled about spending the holidays at her grandparents’ house instead of with him. And when her grandmother forms a plan to distract Sophie from her broken heart—10 blind dates, each set up by different family members—she’s even less thrilled. Everyone gets involved with the matchmaking, even forming a betting pool on the success of each date. But will Sophie really find someone to fill the space left by her ex? Will her ex get wind of Sophie’s dating spree via social media and want them to get back together? Is that what she even wants anymore? This is a fun story of finding love, getting to know yourself, and getting to know your family. The pace is quick and light, though the characters are fairly shallow and occasionally feel interchangeable, especially with so many names involved. A Christmas tale, the plot is a fast-paced series of dinners, parties, and games, relayed in both narrative form and via texts, though the humor occasionally feels stiff and overwrought. The ending is satisfying, though largely unsurprising. Most characters default to white as members of Sophie’s Italian American extended family, although one of her cousins has a Filipina mother. One uncle is gay.
An enjoyable, if predictable, romantic holiday story. (Fiction. 13-16)Pub Date: Oct. 1, 2019
ISBN: 978-1-368-02749-6
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: Aug. 1, 2019
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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