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THE LYING WOODS

Readers won’t even notice the steady pull to the edges of their seats.

A teen is unprepared for the truths his father’s disappearance uncovers in Elston’s (This Is Our Story, 2016, etc.) latest.

Senior Owen Foster, long-cloistered in affluence and his upscale New Orleans boarding school, can barely comprehend the shocking news from his mother: His father has been embezzling for years and now has disappeared, leaving his company, his employees’ lives, and his family in shambles. Returning home, Owen finds himself the target of the town’s rage; he gets threatening, unnerving messages accusing him and his mother of collusion. He tries to escape the endless demands to know where his father and the money are by working in an orchard with a nonjudgmental pecan farmer and by picking up the threads of an old friendship, but Owen is keeping his own secret from everyone—his dad sent him a letter right before he disappeared, suggesting they meet over Thanksgiving. Fans who have come to expect Elston’s mastery of situational tension, double narratives, and enthralling mystery will not be disappointed with this newest tale that alternates between past and present perspectives as it barrels toward a stunning reveal. Owen’s fall from a grace he never knew was funded by stolen money is visceral as he negotiates humility and defensiveness while relearning what he thought he knew about his father and himself. Characters are assumed white.

Readers won’t even notice the steady pull to the edges of their seats. (Fiction. 14-17)

Pub Date: Nov. 13, 2018

ISBN: 978-1-368-01478-6

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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NOT IF I SAVE YOU FIRST

A tightly plotted thriller helmed by a firecracker that never loses her spark.

Estranged best friends must come together to survive man-made threats in the harsh Alaskan wilderness.

Maddie and Logan, both white, were best friends at age 10. Maddie’s father’s job was to keep the president safe, and as the president’s son, that meant Logan too. But when Russians attempt an attack on Logan and the first lady, everything changes. Maddie’s father decides they must move somewhere with no phones, no internet, no access. Soon Maddie and Logan are thousands of miles apart, she in rural Alaska and he in the White House. For six years there’s no contact; Maddie spends two years writing to him with no response. She becomes skilled in the ways of the wilderness, her anger at Logan building. His perspective highlights a privileged, reckless life, leading the president to administer a unique punishment: staying with Maddie and her father in Alaska. But Logan brings dangerous baggage with him, and with her father away for the night, it’s up to Maddie to keep them both safe. Maddie’s grit, humor, and cleverness make her an engaging action hero. Logan’s less dynamic, hyperfocused on ensuring Maddie’s safety when she’s not the one who needs saving. Fans of survivalist fiction will be impressed by the well-researched, immersive Alaskan landscape and all its beauty and brutality.

A tightly plotted thriller helmed by a firecracker that never loses her spark. (Thriller. 14-17)

Pub Date: March 27, 2018

ISBN: 978-1-338-13414-8

Page Count: 304

Publisher: Scholastic

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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H2O

Only for readers who are really good at suspending disbelief.

Grab an umbrella: The latest fictional civilization-ending threat is deadly rain.

Ruby’s having the best night of her life, drunkenly making out with her crush in a hot tub at a party. Suddenly, the host’s parents arrive and, panicking, drag everyone indoors. The radio broadcasts an emergency message about fatal rain. Space bacteria have entered the atmosphere on an asteroid, replicated in the clouds’ moisture and now rain death upon humanity. Just humanity, though—inexplicably, this bacteria’s apparently harmless to plants and other animals. After struggling to live through the first few days—finding uncontaminated water sources is a particular challenge—Ruby decides to travel across the country to find her father. The situation’s horrifying, but what gives the deaths resonance is how sad they are, rather than simply scary (although they are plenty gory). Ruby’s narration is unsophisticated and, especially in the beginning, self-conscious, keeping readers from immersing themselves in the story, much as the strange butterfly graphic that censors curse words does. Additionally, Ruby’s progressively vapid characterization makes her hard to root for. Her biggest redeeming trait’s her love of animals. The novel also has the usual post-apocalyptic tropes—nerdy companion, military of dubious trustworthiness, human threats, a young child to take care of and so forth. The ending is immensely unsatisfying.

Only for readers who are really good at suspending disbelief. (Post-apocalyptic adventure. 14-17)

Pub Date: Oct. 7, 2014

ISBN: 978-1-4926-0654-3

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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