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Arizona Dream

A TRUE STORY OF A REAL-LIFE "OCEAN'S ELEVEN

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Haunted by the atrocities of war, a Bosnian refugee pursuing the elusive American dream finds himself committing the heist of the century.
Alisic’s debut memoir, composed entirely in prison, begins in the mid-1990s: “This is my story as I remember it,” he writes in the foreword—and if even half of it is true, it’s enough adventure for 10 lifetimes. The author escaped the clutches of ruthless Serbian militants following Yugoslavia’s breakup, relocated to Phoenix and achieved success selling used cars. But the only thing more rewarding than making money was spending it, and with the help of the nearby Casino Arizona, Alisic did just that. What should have been merely recreational begins to possess him in a way he could never have imagined. Helpless against gambling’s siren song, his small empire crumbled as his company’s profits fueled his habit. Although the finer details of his business operations tend to be long-winded, even extraneous, they underscore just how easily the blackjack table ripped away what took so long to build. As his desperation increased, Alisic’s financers threatened to sue; his unsupervised employees embezzled from the company coffers; and his cherished girlfriend, Selma, left him. “Last night, I gambled away a 2002 Mustang,” he confides. “I realized that the more I was going there, the more I craved it. Not because I wanted to be there. Not because I liked it. But because I knew I wasn’t a loser, and I wanted to even the score.” In this case, evening the score meant boosting $2 million from Casino Arizona. Yet his self-styled description of his story as a “real-life Ocean’s Eleven” sells the reality short. Far from the devil-may-care attitude of those films, his memoir reveals the scheme as the remarkably human outcome of a life marked by anguish and the hope of redemption. A series of harrowing flashbacks to Bosnia—illegally selling cigarettes in Prijedor, leaping into a sewage canal while outrunning a barrage of bullets, witnessing a massacre, being tortured nearly to death—transforms Alisic into a hero worthy of anyone’s admiration. The climax is as much a lifetime’s catharsis as it is the conclusion of an audacious caper.
An engaging, mile-a-minute crime memoir.

Pub Date: April 25, 2014

ISBN: 978-1457522574

Page Count: 436

Publisher: Dog Ear Publishing

Review Posted Online: July 11, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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