by Adnan Alisic ‧ RELEASE DATE: April 25, 2014
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Haunted by the atrocities of war, a Bosnian refugee pursuing the elusive American dream finds himself committing the heist of the century.
Alisic’s debut memoir, composed entirely in prison, begins in the mid-1990s: “This is my story as I remember it,” he writes in the foreword—and if even half of it is true, it’s enough adventure for 10 lifetimes. The author escaped the clutches of ruthless Serbian militants following Yugoslavia’s breakup, relocated to Phoenix and achieved success selling used cars. But the only thing more rewarding than making money was spending it, and with the help of the nearby Casino Arizona, Alisic did just that. What should have been merely recreational begins to possess him in a way he could never have imagined. Helpless against gambling’s siren song, his small empire crumbled as his company’s profits fueled his habit. Although the finer details of his business operations tend to be long-winded, even extraneous, they underscore just how easily the blackjack table ripped away what took so long to build. As his desperation increased, Alisic’s financers threatened to sue; his unsupervised employees embezzled from the company coffers; and his cherished girlfriend, Selma, left him. “Last night, I gambled away a 2002 Mustang,” he confides. “I realized that the more I was going there, the more I craved it. Not because I wanted to be there. Not because I liked it. But because I knew I wasn’t a loser, and I wanted to even the score.” In this case, evening the score meant boosting $2 million from Casino Arizona. Yet his self-styled description of his story as a “real-life Ocean’s Eleven” sells the reality short. Far from the devil-may-care attitude of those films, his memoir reveals the scheme as the remarkably human outcome of a life marked by anguish and the hope of redemption. A series of harrowing flashbacks to Bosnia—illegally selling cigarettes in Prijedor, leaping into a sewage canal while outrunning a barrage of bullets, witnessing a massacre, being tortured nearly to death—transforms Alisic into a hero worthy of anyone’s admiration. The climax is as much a lifetime’s catharsis as it is the conclusion of an audacious caper.
An engaging, mile-a-minute crime memoir.
Pub Date: April 25, 2014
ISBN: 978-1457522574
Page Count: 436
Publisher: Dog Ear Publishing
Review Posted Online: July 11, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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