Reams of furnishings detail and messy family histrionics.
Kitschy, quaintly amusing Italian-American saga from Trigiani (Lucia, Lucia, 2003, etc.).
The endearing narrator is Batholomeo di Crespi, known as “B,” a bachelor decorator in the upscale New Jersey town of Our Lady of Fatima (or OLOF), circa 1970. His exquisite taste in fabrics and décor have made B well respected in OLOF; he’s decorated all the important houses, from his divorced older sister’s Georgian manor to Aurelia Mandelbaum’s mansion. Aurelia’s myopic daughter Capri, still living at home at age 40, has been B’s unofficial fiancée for 20 years, but this was their mothers’ idea, not theirs. B avoids the messiness of romantic relationships, preferring to spend his time making the world elegant: “The rococo period where French design and Italian flair came together make my heart leap for joy.” At the moment, he’s got his eye trained nostalgically on the restoration of the town’s Catholic church. Once he wrests the commission away from a fancy New York firm, B is faced with the scary task of having to turn his vision into reality. Conveniently, he meets a fancy Park Avenue architect and historian, Eydie Von Gunne, who specializes in churches and can recommend expert craftsmen. But first, B soothes his artistic crisis with a trip to England, where he buys Monica Vitti’s chandelier, and then to Italy with Capri, who decides to live a little in spite of him. B embarks on the church restoration with the help of Brooklyn’s noted fresco painter Rufus McSherry, who urges him to be daring rather than conventional. Resourceful B even saves the day by raising the last-minute money for the church’s final stage. Trigiani’s story manages to transcend its fluffiness by virtue of her unique and winning protagonist, the determinedly single B, who loves his family but resists the pressure to make one of his own.
Reams of furnishings detail and messy family histrionics.Pub Date: June 28, 2005
ISBN: 1-4000-6007-9
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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