A poignant and profoundly relevant examination of society’s safe places.
In this essay collection, Kalfopoulou explores the notion of refuge in all its varied facets.
“Embedded in the word refugee is refuge,” the author notes in the opening lines of one of this anthology’s 14 pieces, adding that refuges consist of “the familiar and tangible, until these locations are also (dis)placed.” In this genre-defying book, the author—a poet, essayist, and educator based in Athens, Greece—blends memoir, verse, literary criticism, and biting social commentary in essays that are united in their exploration of the human quest for a safe haven. This includes the safety of romantic relationships, but the collection is at its best when applying the notion to contemporary geopolitics—particularly Europe’s increasingly draconian policies toward refugees over the last decade and the humanitarian crisis in Gaza. The opening poem, “In shā Allāh,” for example, centers stories of Middle Eastern people facing the perils of Europe’s closed borders, from unscrupulous smugglers who “smell profit at the port” to unsafe boats “sunk with people who sold everything for some luck.” Many essays connect autobiographical vignettes to world events, including one that tells of how refugees have reshaped the author’s home city of Athens. She also grapples with the dichotomy of teaching the “freedom” of creative writing to students living during unprecedented global upheaval. Other essays explore aspects of Kalfopoulou’s visits to the United States, from a discussion of police brutality with a friend in Los Angeles (where the “the assumptions of white supremacy [are] still supremely assumed”) to an encounter with religion-based antigay bigotry in North Carolina. A photographic essay, “The Parts Don’t Add Up, an assemblage,” suggests that the concept of refuge doesn’t just relate to a physical home, but also to a place where one can safely cling to one’s culture. The rest of the book is also peppered with full-color photographs, mostly by the author, which interrupt the text in a manner that makes for a poignant, if sometimes-fragmented, read. Overall, it’s a distinctly literary work replete with searing indictments of the West, accompanied by multiple pages of scholarly references.
A poignant and profoundly relevant examination of society’s safe places.Pub Date: May 6, 2025
ISBN: 9781636282763
Page Count: 184
Publisher: Red Hen Press
Review Posted Online: July 31, 2025
Review Program: Kirkus Indie
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
