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DREAMS COME TO LIFE

From the Bendy and the Ink Machine series , Vol. 1

Sinister and twisted, this Faustian page-turner enlightens as it frightens.

Kress (The Quest for the Kid, 2019, etc.) creates a hair-raising tale based on the popular survival horror video game “Bendy and the Ink Machine.”

She capitalizes on its survivalist plot and creepy ambience by setting her story—like the video game—largely on the premises of Joey Drew Studios, a New York City–based production house dedicated to creating “Bendy” cartoons. Emulating the shifting perspective of this genre, in which players have less control than in a typical action video game, the 16-year-old Jewish protagonist, Daniel “Buddy” Lewek, begins his story by ominously looking back to the summer of 1946, warning readers that while dreams may come true, nightmares do as well. Though somewhat cagey as a narrator, Buddy is an extremely likable character, having dropped out of school to help support his recently widowed mother. He’s now dealing with the unannounced arrival to their Lower East Side tenement of his Polish grandfather, who speaks little English, is pale and shockingly thin, and has strange numbers tattooed on his arm. Buddy thinks his dreams of financial solvency and becoming an artist are about to become a reality when Mister Drew hires him to be an errand boy and art apprentice, but he soon discovers something as dark as the ink that animates the Bendy figures lurks in the Drew Studios halls, forcing him to reexamine his entire worldview.

Sinister and twisted, this Faustian page-turner enlightens as it frightens. (Horror. 12-18)

Pub Date: Sept. 3, 2019

ISBN: 978-1-338-34394-6

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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