A sermon preached to the choir, this is not a good starting-point for those unfamiliar with Rich and her views—but it may be...
An uneven collection of occasional pieces by one of America’s foremost poets.
For better or worse, Rich (Midnight Salvage, 1997, etc.) has reached a level of literary acclaim that allows her to publish anything she chooses. This collection spans three decades and consists primarily of papers and interviews given in academic settings. Interestingly enough, the strongest piece (“When We Dead Awaken”) is the oldest; originally presented to an MLA forum in 1971, it explores the consequences of being a female poet in a “white, patriarchal society.” As she puts it, “Until we can understand the assumptions in which we are drenched we cannot know ourselves.” In discussing Virginia Woolf’s A Room of One’s Own, Rich senses a deep frustration: “It is the tone of a woman determined not to appear angry, who is willing herself to be calm, detached, and even charming in a roomful of men where things have been said which are attacks on her very integrity.” If there is one thing that Rich has abandoned, it’s a desire to please “the patriarchal hierarchy,” and (in her best pre-1989 idiom) she speaks throughout of the “damage” wrought by the advancement of “North American capitalism.” As the collection progresses, the focus shifts from the plight of women generally to the exploitation of the “powerless” throughout history (predominantly represented here, with no apparent irony, by the Sandinistas). Rich calls for the return of a poetry that is politically engaged: “I have deplored the retreat into the personal as a current fetish of mass-market culture.” If, at the dawn of the 21st century, it is easy to scoff at such sentiments, it must be admitted that there is a touching (and very American) optimism here all the same.
A sermon preached to the choir, this is not a good starting-point for those unfamiliar with Rich and her views—but it may be of some interest to those already attuned to her work.Pub Date: April 1, 2001
ISBN: 0-393-05045-9
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
Among the more amusing facts in this cultural history of the telephone is that, back in the old days, women were called upon to be telephone operators because boys, who initially had the jobs, ``were ill-suited to the delicate work of telephony. Rowdy and restless, they took pleasure in insulting callers, pulling pranks, and crossing wires.'' Filled with movie stills and posters, ads, and text from all kinds of sources, this lively documentary is less concerned with the evolving technology of the telephone than with the way it has been used and represented. Maxwell Smart's shoe phone is here, as is an excerpt from Nicholson Baker's Vox, as Stern (Best Bets, not reviewed) and Gwathmey (Wholly Cow!, not reviewed) rush happily from Alexander Graham Bell to the age of the fax-modem. Still, there's probably a good argument to be made that the pranks of punk kids were preferable to the icy contempt of voice mail.
Pub Date: Oct. 1, 1994
ISBN: 0-15-100086-7
Page Count: 144
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
Alexander sets a standard of thoroughness for future works on Paton, but the treasures unearthed by his impressive research are few and far between in this tell-too-much biography. Published in 1948, Paton's Cry, the Beloved Country was a major force in drawing international attention to both literature and apartheid in South Africa. This comprehensive account covers his boyhood; his university years; his teaching career; his long tenure as principal of a reformatory; his emergence as a novelist and persecuted political figure; and his second marriage and later life. Alexander (English/Univ. of New South Wales) knew Paton and had the cooperation of his widow and two sons. His exclusive access to intimate diaries and correspondence allows him to fill out and correct Paton's autobiographies and various memoirs of him by friends and family. He counters Paton's published assertions that he was a lenient teacher by presenting the future novelist as a despised schoolmaster whose students went so far as to cheer wildly when he was nearly blinded by a chemistry demonstration gone awry. Alexander also covers Paton's extramarital affairs, of which he had at least two, and his first, sexually unfulfilling marriage to a widow who wore the wedding band from her first marriage. Since Paton did not write Cry, the Beloved Country until he was in his 40s, much of the story centers on the novelist's frustrated political ambitions. After becoming a celebrated author, much of his political work was organizational and not really the stuff of exciting storytelling. Alexander tries to show Paton as a man who cared most about serving others, but the dominant narrative thread portrays a self-assuming, sometimes calculating man. Paton achieved the rare feat of writing a novel that perceptively changed the way people looked at part of the world. His own story, however, turns out to be mundane. (8 pages b&w photos)
Pub Date: Oct. 1, 1994
ISBN: 0-19-811237-8
Page Count: 448
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
