As the first substantive biography of Hirschfeld, this will be welcomed by art and Broadway lovers alike.
An in-depth biography of America’s “line king” caricaturist.
Born in St. Louis, Al Hirschfeld (1903-2003) began drawing when he was 5 years old and never stopped. Journalist Stern (Gracie Mansion: A Celebration of New York City's Mayoral Residence, 2005, etc.) interviewed Hirschfeld in 1987 for a GQ profile. Over the years, she has conducted extensive interviews with those who knew him—the book is packed with quotations—and had access to personal letters, journals, and scrapbooks, resulting in this much-needed, affectionate, and entertaining book-length profile. In 1912, the Hirschfeld family moved to New York City. Although he traveled around the world throughout his life, NYC was always home. While still in his teens, the young, talented artist began doing caricatures for Broadway posters and ads as well as lobby cards for local movie companies like Goldwyn and the Selznick Corporation. He came to be known as the “line king” for his minimalist black-lines-on-white-paper caricatures of actors and actresses that succinctly captured the looks and personalities of his subjects. He was fast and reliable. His theatrical caricatures—he preferred “character drawings”—became popular, his line “ever more surgical.” Broadway was his milieu, and every actor wanted to be “Hirschfelded.” He worked hard at it; sitting in his barbershop chair, his drawing board in front of him, he worked 7 days per week, 7 hours per day. S.J. Perelman described him as “a remarkable combination of Walt Whitman, Lawrence of Arabia, and Moe, my favorite waiter at Lindy’s.” In 1928, Hirschfeld started working for the New York Times, in 1953, TV Guide, and in 1998 he did a cover for Time. As Stern shows, his married life with three wives was up and down, but for 75 years, he had his dream job.
As the first substantive biography of Hirschfeld, this will be welcomed by art and Broadway lovers alike.Pub Date: Oct. 10, 2017
ISBN: 978-0-374-28057-4
Page Count: 368
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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