It's an admirable effort with more tales promised for future release; the whole thing could stand to be a little wilder,...
A small but growing set of Aesop's fables are collected in this app and given a too-literal, but serviceable reworking.
There's a glut of what might be called Aesop's apps for the iPad; developer Razeware LLC's take is that it'll provide a story or two for free and allow readers to pay for more tales within the app. Currently there are four tales; "The Crow and the Pitcher" and "The Tortoise and the Hare" are the freebies. "The Lion and the Mouse" and "The Fox and the Grapes" are not. The adaptations are spare and short, with morals clearly spelled out on the last page ("It's easy to scorn what we cannot have," reads the one for "Grapes"). The app's mix of sprightly woodwinds and New Age–y orchestral synth, a lack of spoken narration and minimal sound effects gives it a more austere feel than is perhaps necessary. The illustrated objects—mostly animals—are large, clearly defined and lovely, but as in too many iPad story apps, most of the interaction consists of tossing animated objects (grapes, pebbles, woodland creatures) across the screen as they float about in zero-gravity–like conditions. For "The Crow and the Pitcher," readers can fill the pitcher up with these drifty pebbles; in "Tortoise," the Hare zips across the screen in a puff of smoke when touched, but other animals move like they're swimming in an aquarium filled with gravy.
It's an admirable effort with more tales promised for future release; the whole thing could stand to be a little wilder, though. (iPad storybook app. 2-7)Pub Date: March 24, 2011
ISBN: N/A
Page Count: -
Publisher: Razeware LLC
Review Posted Online: April 25, 2011
Kirkus Reviews Issue: May 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Simple, encouraging text, charming photographs, straightforward, unpretentious diversity, and adorable animals—what’s not to...
This entry-level early reader/picture book pairs children with farm animals.
Using a simple, effective template—a full-page photograph on the recto page and a bordered spot photo above the text on the verso—Rotner delivers an amiable picture book that presents racially and ethnically diverse kids interacting (mostly in the cuddling department) with the adult and baby animals typically found on a farm. Chickens, chicks, cats, kittens, dogs, puppies, pigs, piglets, cows, and calves are all represented. While a couple of double-page spreads show the larger adult animals—pigs and cows—without a child, most of the rest portray a delighted child hugging a compliant critter. The text, simple and repetitive, changes only the name for the animal depicted in the photo on that spread: “I like the cat”; “I like the piglet.” In this way, reading comprehension for new readers is supported in an enjoyable, appealing way, since the photo of the animal reinforces the new word. It’s hard to go wrong combining cute kids with adorable animals, but special kudos must be given for the very natural way Rotner has included diversity—it’s especially gratifying to see diversity normalized and validated early, at the same time that reading comprehension is taught.
Simple, encouraging text, charming photographs, straightforward, unpretentious diversity, and adorable animals—what’s not to like? (Picture book/early reader. 2-6)Pub Date: Aug. 15, 2017
ISBN: 978-0-8234-3833-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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