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THE GRAND TOUR

AROUND THE WORLD WITH THE QUEEN OF MYSTERY

A magical tour back to a time before telephone and instant forms of communication. Narrated by a woman who went on to become...

A collection of the mystery writer’s 1922 British Empire Tour correspondence.

For editor Prichard, Agatha Christie’s grandson, this book is treasured memorabilia. For Christie fans, these letters and photographs will be a delightful addition to the author’s oeuvre. Essentially a marketing ploy, the tour, sponsored by the British Empire Exhibition Mission, had four goals: “to produce new sources of wealth by exploiting the raw materials of the Empire; to foster inter-Imperial trade; to open new world markets for Dominican and British products; and to encourage interaction between different cultures and people of the Empire.…” With her husband and other participants, the 32-year-old author traveled to South Africa, Australia, New Zealand, Hawaii and Canada over the course of 10 months. The letters between Christie and her mother showcase the author’s innate storytelling ability and insights on life following World War I. “From a historical point of view the account of the Grand Tour, both literary and photographic, is a remarkable snapshot of life in the 1920s, nostalgic and curious,” writes the editor. What emerges is a portrait of a spontaneous, direct woman engaged in the changing environment around her. In Honolulu, Christie surfed; in South Africa, she toured vineyards and tasted the wine; and she fell in love with New Zealand. Christie’s letters are complemented by the abundant photos.

A magical tour back to a time before telephone and instant forms of communication. Narrated by a woman who went on to become the most widely published author of all time, this volume should delight both Christie fans and history buffs.

Pub Date: Dec. 1, 2012

ISBN: 978-0-06-219122-9

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 9, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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