A witty, engaging heroine sparkles in this series opener.
In this French import, Dagfrid learns the grass is always greener on the other island.
Dagfrid’s not a fan of Viking girlhood—she’s not into the double bun hairstyle; she dislikes the “superlong dress” that she’s supposed to wear; and, worse, she hates everything about fish, a staple on their island. She modifies the customs to her liking—she keeps her hair in practical braids and sews herself a pair of pants—and then has her brother teach her to build a boat (in exchange for showing him how to sew). Then, Dagfrid sets sail in hopes of finding “something to do somewhere besides eating fish!” She discovers an island inhabited by Viking girls much like her, except they’re sick and tired of eating sheep and enduring the smell of sheep fat lamps. Dagfrid trades fishing and boat-building lessons for some sheep. Back home, her introduction of livestock adds variety to her people’s diet and opens the door for more practical, medium-length dresses (though she still prefers her pants). Dagfrid is a winning protagonist. Her charming first-person narration manages to slip in some historical information (e.g., turf houses) but generally plays up Viking tropes in a cartoonish way that’s calibrated for reader enjoyment. Expressive spot art is equally charming. All characters are White. Book 2 publishes simultaneously.
A witty, engaging heroine sparkles in this series opener. (Historical fiction. 6-9)Pub Date: April 4, 2023
ISBN: 9781646908042
Page Count: 48
Publisher: Arctis Books
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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