Wily, undercutting narration translates drudgery into problem-solving.
Viking girl Dagfrid struggles against gender roles.
Dagfrid’s sheltered older brother, Odalrik, is kept home while the other boys “burn and pillage villages.” Instead, he lounges on his boat and occasionally practices for his warrior future by running and yelling at livestock. Meanwhile, Dagfrid’s kept busy with endless chores. When her grandmother announces she has the honor of preparing a codfish feast for the chieftains (all the village’s men), she asks her parents why she must work while her brother relaxes and hears stories about the ridiculous vows to Thor her parents made before marrying. Odalrik, who’s bored beyond belief at not being allowed to do anything useful, tells Dagfrid about yet another set of silly parental vows—all concerning duties for male and female children. The siblings go behind their elders’ backs and join forces to cook the feast, giving Odalrik a break from boredom and a chance to learn something and lightening Dagfrid’s workload. Countering the silly, restrictive vows from before, the siblings vow to each other that they’ll allow any children they have to choose their own activities. Readers of this French import will enjoy Dagfrid’s modern, pragmatic mindset juxtaposed with the puerile, unquestioning adults—and that the kids tackle these conflicts themselves. In expressive, active spot illustrations, all characters are White.
Wily, undercutting narration translates drudgery into problem-solving. (Historical fiction. 6-9)Pub Date: April 4, 2023
ISBN: 9781646908059
Page Count: 48
Publisher: Arctis Books
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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