A fun, new take on droppings.
Youngsters can learn about where and how various animals, domestic and wild, relieve themselves.
Via a pull-tab embedded in each recto (not, thankfully, in the rectum) readers can see the before and after, and a goldfish in a bowl leaves a trail while swimming. The verso asks each creature where it does its business, and then a (sometimes-forced) rhyming quatrain, translated from Italian, answers the question: “And where do YOU poop, mouse? / When inside my tummy / Starts to feel not so good / It’s time for a poop / On these chips made of wood!” The final double-page spread queries readers: “And where do YOU poop?” A redheaded, White toddler’s face is visible below this question; the pull-tab on the right opens a bathroom to reveal a White toddler, this time with medium brown hair, happily and modestly sitting on a blue toddler potty. The accompanying quatrain provides some developmentally appropriate guidance for feeling the signs of a movement coming on. Baruzzi’s art is droll and graphically clean (inasmuch as the depiction of excrement can be described that way). Little fingers may need some help finding the relatively easy-to-open and sturdy pull-tabs, since they blend into each page. It works as both a biology lesson and potty-training encouragement.
A fun, new take on droppings. (Novelty board book. 18 mos.-3)Pub Date: May 11, 2021
ISBN: 978-1-66265-042-0
Page Count: 16
Publisher: minedition
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
The art and writing can stand on their own while the gimmick will likely distract anyone reading aloud even as it delights...
A cow named Cuddly searches for a quiet place to hit the hay in this book with barnyard sounds supplied in an embedded sound chip.
From the cover, toddlers can push a big green button (which doubles as a speaker) to activate the chip, which features a loud moo with other animal sounds in the background; die-cut circles in the lower corner of the cover and subsequent pages ensure its accessibility throughout. Cuddly tries to bunk with the hens, a horse, and the pigs to no avail. She has a brainstorm and counts the sheep in a field and quickly falls asleep. Scheffler, of The Gruffalo fame, uses richly colored gouache to paint scenes with friendly, wide-eyed farm residents against pastoral backgrounds. Young readers may be confused to see a very bright sky in this tale set at twilight. Each one-page scene is paired with a nicely scanning quatrain set in a large font against a brightly colored background on the opposite page. In the companion title, titular Higgly Hen loses her eggs as they hatch, legs first, and then walk away. In slapstick fashion, she chases the walking eggs around the farm until she finds them all in time for them to complete their emergence. This offering sports a large yellow button that clucks realistically when pressed. The battery can be replaced by opening a panel (with a tiny Phillips screwdriver) in the back of the book, but caregivers may choose to let the noisemaker die a natural death.
The art and writing can stand on their own while the gimmick will likely distract anyone reading aloud even as it delights little ears and fingers. (Board book. 1-3)Pub Date: April 25, 2017
ISBN: 978-0-7636-9325-1
Page Count: 12
Publisher: Nosy Crow
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The perfect baby-shower gift for Brooklyn hipsters, but all others, including the core baby-toddler audience, should...
A baby’s everyday world is paired with the sites and trends of Brooklyn, New York.
The left-hand page displays something a toddler might recognize (blocks, dominoes, and a rocking horse, for instance) with corresponding landmarks claimed by Brooklyn hipsters (Brooklyn Bridge, the Domino Sugar factory, and Jane’s Carousel) on the facing page. The art is graphically interesting, with flat planes of highly saturated, digital color on solid backgrounds as simple, white captions float above. A few of the images are toddler-friendly, such as the ABC blocks that are matched with the subway logos for the J/M/Z trains, but most will prove too abstract for little ones still learning to name their world. Human figures are created by layering just some features on the negative space of the backgrounds, which means almost all lack significant facial features and several even lack limbs. Many of the scenes are quite adult (a row of tap handles from a “Biergarten” is paired with a line of kindergarten students) and others are so specific to the “hipster” parts of north Brooklyn (two people running to catch the always-too-short-for-the-platform G train; a passenger “manspreading” on the L train) that they might not even be understood by residents from south Brooklyn.
The perfect baby-shower gift for Brooklyn hipsters, but all others, including the core baby-toddler audience, should “Fuhgeddaboudit.” (Board book. 1-3)Pub Date: April 4, 2017
ISBN: 978-1-57687-785-2
Page Count: 32
Publisher: POW!
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
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