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AN INVISIBLE SIGN OF MY OWN

Sometimes this young author’s tale of young people, chronicled by a young narrator, just feels young. Sometimes it is...

Bender’s first novel, following a successful collection of stories (The Girl in the Flammable Skirt, 1998), is exasperating and charming in about equal measure.

Narrator Mona Gray becomes a math teacher at age 20. Her life is a constellation of numbers, worries, and activities abandoned. She finds a riff in every utterance, a digression in every observation, and her creator indulges every one. Especially in Part One, story development jerks and sputters; some of the asides, like drum solos, roll out of control into tedium. One reason the jamming doesn’t work is that the narrative voice is a shopworn compendium of self-consciously pomo gags and gimmicks: asynchronous dialogue, deadpan presentation, incongruous details, looping compound sentences followed by staccato bursts of fragments. Mona would be a more effective storyteller if she simply trusted her tale. When the story finally emerges from the overlush undergrowth, it features moments of real charm and poignancy. We meet the science teacher, a disarmingly self-assured young eccentric who encourages his students to act out symptoms of diseases; Lisa Venus, a second-grader tormented by her mother’s cancer; and Mona herself, bemused and befuddled by her mysterious life. As her father succumbs to an unnamed, slowly debilitating disease, Mona retreats into a protective cocoon of numbers and signs that neither she nor anyone else can factor. When the science teacher’s arrival offers both love and a threat to Mona’s affectless retreat, then numbers metaphor shifts from cute and quirky to emotionally expressive, and the prose lifts from riff to song.

Sometimes this young author’s tale of young people, chronicled by a young narrator, just feels young. Sometimes it is exuberantly, heartbreakingly youthful.

Pub Date: July 18, 2000

ISBN: 0-385-49223-5

Page Count: 224

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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SHELTER IN PLACE

Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a...

The victims of a mass shooting—including two young heroes from the tragedy—are moving forward in their lives, affected in different ways, when they're stunned to discover a serial killer is targeting survivors.

Simone Knox and Reed Quartermaine were both survivors of a mass shooting at a mall in Portland, Maine. Afterward, Simone, grateful to be alive, vows to be a better daughter and at first tries to conform to her parents’ conservative expectations. However, she soon realizes she’ll never be happy appeasing them and finally chooses to follow her artistic dreams in order to lead a more authentic life. Reed, inspired by Essie McVee, the first police officer on the scene, becomes a detective, eventually becoming Essie's partner and close friend. Years later, survivors of the massacre begin to die, and Reed is convinced the deaths are connected—but not even Essie takes him seriously until the killer targets him. Reed is wounded but survives, and suddenly everyone believes him. The cunning psychopath escapes into the ether, armed with money, lots of false identification, and a seething desire for revenge. Taking time to heal, Reed visits Tranquility Island, Maine, his childhood vacation spot, and falls in love with the place. He also meets a charismatic older woman who helps him land the house of his dreams and the position of police chief. Falling in love with her granddaughter, Simone—whom he had been aware of since the tragedy but had never met—seems like fate. Reed settles into his new job and hooks up with the FBI regarding the case, convinced their face-off has frustrated the vengeful killer. As heroic survivors, Reed and Simone are prime targets, and now that they’ve found each other, the stakes are higher than ever. Facing the hunter means fighting for their lives, love, and happiness while silencing the violent echoes of the worst day of their lives. Fascinating characters—Simone's grandmother is a standout—and a sprawling plot that covers a lot of ground yet keeps the reader engaged offer a surprisingly compelling and poignant redemption story that begins with a tragic mass shooting.

Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a lively, captivating read.

Pub Date: May 29, 2018

ISBN: 978-1-250-16159-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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