An intriguing and delightful queer romance that does not quite bring Gatsby back to life.
A sequel to F. Scott Fitzgerald’s masterpiece imagines the life of a gay Jay Gatsby.
“I had scarcely got Gatsby across the threshold…when to our astonishment it became clear that there was something resembling life in him yet,’’ writes narrator Nick Carraway at the beginning of Odasso’s novel. Instead of dying from a gunshot wound, as he did at the end of Fitzgerald’s The Great Gatsby, this Gatsby recovers under Nick’s tender care and in his bed. Somewhere between fan fiction and literary thought experiment, Odasso’s book sets up Nick and Gatsby as lovers and ships them off on a steamy honeymoon through Canada, England, and France. The couple settle in Boston, where Nick’s cousin Daisy reappears in their lives. Daisy created tension in the original and has come back to complicate things. This time, the drama revolves around her daughter, Pam. A bright and sassy girl with more love for books than boys, Pam is starting to realize who she really is—and who she could be—with the help of her supportive gay uncles. As in the first book, keeping up appearances is a dilemma for all the characters, but here, Nick and Gatsby’s tender love for each other helps them push through society’s expectations. There is something both silly and charming about the premise. Casual fans of the original will probably have a good laugh before getting drawn into the rather engaging romance Odasso has created (although they may need a Cliff’s Notes refresher before the first chapter). The novel’s prose feels impressively witty and natural—if more inspired by the general time period than Fitzgerald himself. The sex also maintains a careful balance: passionate and surprising without being lurid. But Odasso seems more interested in a queer family navigating the world of The Great Gatsby than directly engaging with or reimagining Fitzgerald’s mythic figures. Ironically, true Fitzgerald devotees may find this Gatsby to be a bit of a fraud.
An intriguing and delightful queer romance that does not quite bring Gatsby back to life.Pub Date: Sept. 28, 2021
ISBN: 978-1953910875
Page Count: 170
Publisher: DartFrog Blue
Review Posted Online: Nov. 17, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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