Next book

THE PURSUED AND THE PURSUING

An intriguing and delightful queer romance that does not quite bring Gatsby back to life.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A sequel to F. Scott Fitzgerald’s masterpiece imagines the life of a gay Jay Gatsby.

“I had scarcely got Gatsby across the threshold…when to our astonishment it became clear that there was something resembling life in him yet,’’ writes narrator Nick Carraway at the beginning of Odasso’s novel. Instead of dying from a gunshot wound, as he did at the end of Fitzgerald’s The Great Gatsby, this Gatsby recovers under Nick’s tender care and in his bed. Somewhere between fan fiction and literary thought experiment, Odasso’s book sets up Nick and Gatsby as lovers and ships them off on a steamy honeymoon through Canada, England, and France. The couple settle in Boston, where Nick’s cousin Daisy reappears in their lives. Daisy created tension in the original and has come back to complicate things. This time, the drama revolves around her daughter, Pam. A bright and sassy girl with more love for books than boys, Pam is starting to realize who she really is—and who she could be—with the help of her supportive gay uncles. As in the first book, keeping up appearances is a dilemma for all the characters, but here, Nick and Gatsby’s tender love for each other helps them push through society’s expectations. There is something both silly and charming about the premise. Casual fans of the original will probably have a good laugh before getting drawn into the rather engaging romance Odasso has created (although they may need a Cliff’s Notes refresher before the first chapter). The novel’s prose feels impressively witty and natural—if more inspired by the general time period than Fitzgerald himself. The sex also maintains a careful balance: passionate and surprising without being lurid. But Odasso seems more interested in a queer family navigating the world of The Great Gatsby than directly engaging with or reimagining Fitzgerald’s mythic figures. Ironically, true Fitzgerald devotees may find this Gatsby to be a bit of a fraud.  

An intriguing and delightful queer romance that does not quite bring Gatsby back to life.

Pub Date: Sept. 28, 2021

ISBN: 978-1953910875

Page Count: 170

Publisher: DartFrog Blue

Review Posted Online: Nov. 17, 2021

Kirkus Reviews Issue: Jan. 15, 2022

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

Close Quickview