by Akemi Dawn Bowman ‧ RELEASE DATE: Sept. 26, 2017
If not all elements persuade, Kiko’s sometimes-halting journey from defensive passivity to courageous self-realization...
For Kiko, a biracial Nebraska teen, attending Prism, a prestigious art school, will allow her to pursue her dream of making art and to escape a toxic family environment; denied admission, she has no Plan B.
Kiko’s Japanese-American father and his new wife, a white woman, like Kiko’s mom, are preoccupied parents of twin baby girls. Kiko and her two brothers live with their self-absorbed mother, who belittles all things Japanese, raising Kiko to consider herself unworthy and her Japanese features ugly, to the point where she and her brothers used to compete over who looked least Asian. Knowing her brother abused Kiko as a small child, her mother not only allows Uncle Max to move in, she prohibits Kiko from putting a lock on her door. Kiko knows she must leave, but her traumatic upbringing has left her with crippling social anxiety, and her only close friend has left for college. A chance meeting with Jamie, the white boy who was her childhood crush, rekindles their friendship, and he invites Kiko to stay with his family in California while checking out art schools. There, mentored by a Japanese-American artist and befriended by his family, Kiko blossoms. Readers will wonder why Kiko’s mother is more monster than human; why insecure Kiko was certain she’d be accepted to the country’s most prestigious art school (and how she’d afford it); and why the cover depicts a jellyfish rather than the titular starfish.
If not all elements persuade, Kiko’s sometimes-halting journey from defensive passivity to courageous self-realization remains believable and moving throughout. (Fiction. 12-16)Pub Date: Sept. 26, 2017
ISBN: 978-1-4814-8772-6
Page Count: 352
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
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by Stephanie Garber ‧ RELEASE DATE: May 29, 2018
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.
Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.
Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)Pub Date: May 29, 2018
ISBN: 978-1-250-09531-2
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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