A soothing, fanciful adventure for those fretting about an upcoming performance.
In this Japanese import, a child imagines a fantastical mouse theater as a means of overcoming her piano-recital anxiety.
A glowering girl walks grimly forward on the title page, sheet music tucked under arm. Her red velvet dress, both celebratory and somber, reflects the duality of the occasion. As she repeats a calming mantra, she spies a “mouseling” doing the same. The latter invites the pixie-haired Momo—a young Japanese girl—to her mouse theater, where acrobats, dancers, and an orchestra perform. When it is the mouseling’s turn to go on stage, Momo graciously offers to accompany her on piano. As they fill the hall with music and joy, Momo realizes she has actually played at her own piano recital, and she stands to the audience’s applause. Using pencil, charcoal, and gouache, the artist uses a monochromatic palette to skillfully capture theatrical light and staging. Red and other, more-muted colors easily identify the protagonist and act as accents. As the fantasy world of mice and their performances is introduced, Miyakoshi’s artwork opens up into a lavish rendering of an exquisite mouse theater. Unfortunately, the visual density of the mouse world and the simplified interpretation of the human world—in particular the styling of Momo’s face—are not seamlessly merged. However, the beauty of the mice and their environment is a feast for the eyes.
A soothing, fanciful adventure for those fretting about an upcoming performance. (Picture book. 3-7)Pub Date: Sept. 3, 2019
ISBN: 978-1-5253-0257-2
Page Count: 32
Publisher: Kids Can
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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