Senator Gore (Tennessee), who was known as the environmental candidate for the Democratic presidential nomination last time around, says here that he strayed from that concentration when pollsters steered him onto other issues—and that he now has redirected himself to saving the earth. His book is not just another roundup summary of threats to the environment, though it does include chapters on water problems, deforestation, and the genetic erosion of the global food supply, but it's a seemingly heartfelt attempt to understand and convince those (politicians and public) who deny the urgency of the problems and the need to act. Gore has a roundabout way of making his points, often diluting amazing quotes, facts, and stories by presenting them as examples or asides within the abstract frameworks he constructs in his indirect way of approaching the issues. He is fond of analogies, but the analogies can be stretched far beyond their value to illuminate—as in an entire chapter, ``Dysfunctional Civilization,'' that goes on at length about dysfunctional families, addiction, and co-dependency. And instead of using the familiar as analogy to clarify a difficult concept, he often does the opposite—for example, calling on chaos theory and Einstein's Theory of Relativity (``Bear with me'') to help us recognize the threshold for dramatic change in our relationship to the environment. Yet on particular issues he often gets caught up in conventional thinking and fails to cut through with fresh ideas. Gore's concluding recommendations for a global environmental strategy work as a thoughtful position paper but are unlikely to inspire politicians or popular action. Which, however, is not to dismiss the desirability of getting Gore's agenda in motion. So consider buying the book, displaying it, and hoping for the best.
Pub Date: Jan. 22, 1992
ISBN: 0-395-57648-2
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
An absorbing study of the role of style and design in early postwar American culture. Marling (Art History and American Studies/ Univ. of Minnesota; coauthor of Iwo Jima: Monuments and the American Hero, 1991) examines the period when TV first leveled its electronic gaze at American life and a dynamic new set of visual and cultural values were born. She describes leisure pursuits like amateur painting— and its ghastly derivative, the paint-by-numbers set—that rose with the country's self-conscious new prosperity; the growth of automobile fetishism; kitchen gadgets and their meaning for ever- busier women; Elvis's nouveau-riche stylistic pretensions; and national unease over the comparative worth of less frivolous Soviet accomplishments. The book begins slowly, detailing the national obsession with Mamie Eisenhower's hair and clothing, but gathers momentum in describing Disneyland's antecedents, the psychosexual lure of chrome-laden cars, and the growing hegemony of design over function in the development of American products. Marling writes with flair, and her text engages the reader even when profound insight is lacking. Readers may disagree with her on occasion (that ``the French [fashion] salon is a woman's place, ultimately governed by her preferences and skills'' seems debatable). And sometimes the breezy tone is less appropriate—memoranda showing how Betty Crocker psychologists exploited women's fears of failure in the kitchen arouse no comment from the author. Assertions that designers provided buyers a sensation of mobility and choice, and that these aren't bad aims, on the other hand, make sense. And Marling's right in noting that critics often missed what was pleasurable—and anti-elitist—about ``populuxe'' fashions of the '50s. Though Marling chooses to remain more chronicler than critic, this archaeology of our recent visual past is as important as any recent political history of the period, and far fresher in approach. (Illustrations, not seen)
Pub Date: Sept. 1, 1994
ISBN: 0-674-04882-2
Page Count: 352
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
An ideal pathfinder on the Beatles' long and winding road from moptops to magi—insightful, informative, contentious, and as ambitious and surprising as its heroes. Popular music criticism is often a thankless task, falling uneasily between mindless hype and lugubrious academicism. MacDonald, former deputy editor of New Musical Express, adroitly bridges that gap, taking the factual chassis—recording session data, itineraries, etc.—laboriously assembled by Beatlemaniacs like Mark Lewisohn and bringing to bear a fan's enthusiasm, a musicologist's trained ear, and a critic's discernment to produce the most rigorous and reliable assessment of the Beatles' artistic achievement to date. Advancing chronologically through the songs, MacDonald provides an encyclopedic wealth of biographical, musical, and historical detail, yet always keeps his eyes on the prize—the uniquely rich elixir the group distilled from these disparate elements. He considers the Beatles on their own musical and cultural terms, taking his cue from contemporary influences (rhythm-and-blues, soul, and the supercharged social crucible of the '60s), rather than straining for highbrow parallels in Schoenberg or Schubert—you'll find no reference to the infamous ``Aeolian cadences'' of ``This Boy'' here. MacDonald makes no bones about his own critical convictions: He prefers the artful structures of pop, its ``energetic topicality'' that ``captures a mood or style in a condensed instant,'' to rock's ``dull grandiosity,'' a shift he attributes to a general retreat since the '60s away from depth and craftsmanship into spectacle and sensation. Accordingly, he champions the pop classicism of the Beatles' early-middle period, culminating in Revolver and Sgt. Pepper, and in his most memorably acerbic passages deplores the rockist leanings of their later work: ``Helter Skelter,'' for instance, is dismissed as ``ridiculous, McCartney shrieking weedily against a backdrop of out-of-tune thrashing.'' The ultimate Beatles Bible? Certainly a labor of love, and all the more valuable for holding the Fabs to the highest critical standards.
Pub Date: Sept. 1, 1994
ISBN: 0-8050-2780-7
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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