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GRACELAND

GOING HOME WITH ELVIS

This cultural history of Elvis's interiors is intended as high-concept but reads like a hastily researched brochure from a generalized Presley museum. In tones of not-quite-believable enthusiasm, Marling (Art History and American Studies/Univ. of Minnesota; As Seen on TV, 1994, etc.) attempts to humanize Presley by concentrating on the physical spaces he inhabited, as well as describing the larger areas he frequented (Oxford, Miss., Memphis, Las Vegas). The concept isn't altogether bad—but Marling fails to come up with a fresh take. Consistently she loses her grip and slides into the most basic biographical territory: ``Sun Studios is the stuff of legends''; ``He appealed to some primitive streak in the young.'' She's at her best when describing Graceland as nearly pure metaphor—as a vision of the old South whose precedent was Tara Mansion in the movie version of Gone With the Wind. Some of the room-by-room exegeses of Graceland are diverting, too. But the lack of effort shines through. Ever wonder why Elvis wanted a jungle motif for his living room? She points out the well-known fact that he loved Hawaiian kitsch, and the less well known fact that one of his record producers had his office done that way—but beyond that, your guess is as good as hers. ``Of course,'' she rambles, ``when everything is said that can be said to account for the den at Graceland, there is also the possibility that Elvis Presley had terrible taste, or that Elvis chic occupies an aesthetic dimension in which conventional standards of good taste are irrelevant.'' Too obvious to qualify as cultural studies, too blandly written for a Wayne Koestenbaum-esque personal-interaction-with-subject book. Peter Guralnick's biography remains the standard for those who want to understand the King. (35 line drawings)

Pub Date: Aug. 16, 1996

ISBN: 0-674-35889-9

Page Count: 288

Publisher: Harvard Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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